Spotlight: One More Kiss by Samantha Chase

About the Book

MATT REED IS HIDING
…from his fans
…from his past
…from a failure too painful to contemplate
Most of all, Matt is hiding from himself.
 
VIVIENNE FORRESTER IS A WOMAN WHO GIVES HER ALL
…to her friends and family
…to her online food blog
…to the man she loves
 
Vivienne will try anything and everything to coax Matt out of his self-imposed exile. But for this to work, Matt is going to have to meet her halfway…

Excerpt

“What if I’m already too far gone?”

“You’re not,” she replied softly. “You’re sitting her and telling me what you see in yourself. If you were really too far gone, we wouldn’t be having this conversation.” She paused. “Now you can be whatever kind of guy you want. It’s totally up to you.”

He straightened and looked her straight in the eye – his expression less angry and more pleading. “I’d like to be the kind of guy you don’t cringe away from.”

Well damn. “I didn’t cringe,” she said, going for light and teasing. She even forced herself to grin.

Rather than speak, he simply held out his hand to her again. His gaze held hers as he waited.

There wasn’t an option. Doing her best to have no reaction at all, Vivienne stood and walked toward him and placed her hand in his.

And felt more alive than she had in years.

His hand was large, his skin rough and warm. Her eyes met his and if she wasn’t mistaken, he looked just as shaken as she was. Her lips parted and she took a slow, shaky breath. Matt’s hand closed around hers and he gently tugged her down onto the sofa beside him. She sat stiffly for a moment and then – as if of one mind – they relaxed against each other. Vivienne’s head was on his shoulder, his arm around her and it felt…nice.

Natural.

Like everything she’d been waiting for.

Now what? How was she supposed to act? What was she supposed to say that didn’t come out as her begging Matt to kiss her? Touch her?

She should have stayed in the cottage and let him have his meltdown and recovery on his own. Now she was stuck here and had no way to get up and leave without it being completely obvious that she was no better than the hundreds of girls he’d been with over the years.

She visibly shivered even as the proverbial bucket of cold water was dumped on her in her mind.

“You okay?” he murmured, his voice low and gruff against her ear.

Not trusting her voice, she nodded.

They sat in somewhat companionable silence for several minutes. Vivienne’s mind wasn’t quiet for even one of them. When she noticed the sheet music out on the piano, she twisted slightly and looked up at him. “You play the piano?”

He chuckled softly and – if she wasn’t mistaken – placed a light kiss on her temple. “Sort of.”

“What does that mean?” she asked, forcing herself to laugh even though all she could think about was the fact that his lips had just touched her.

“I’ve tried it several times over the years, but while I was sitting here today doing nothing, I decided to give it a try. It was a little intimidating and I still basically suck at it, but I’m better at it than I was yesterday.”

“I was forced to take lessons for years. My mother was obsessed with me learning. I was relieved when I moved out on my own and didn’t have room for a piano in my apartment. Then Aaron went and built this house and bought one. Every time our parents come to visit I’m obligated to play a little. If I’m not mistaken, that’s their old sheet music you’re using.”

“That would explain why Aaron didn’t have anything from the last decade or two.”

She chuckled. “He really didn’t even need it. I think it was just something my parents passed on to him. Lord knows I didn’t want it.”

“Sounds like you hate it.”

She shrugged. “I think hate is a strong word for it, but it’s very different when you play for pleasure and when you’re doing it because you’re expected to. I used to love to play the popular songs – I have an ear for it now and can play a lot of them without sheet music – and it used to make my mother crazy!” She couldn’t help but laugh at the memory. “Whenever she was nearby, I’d be playing Mozart or Beethoven, but as soon as she would leave I would break into some N’Sync or Backstreet Boys.”

“Ugh! Not the boy bands!” he cried in mock disgust.

“What can I say?” she said, unable to control her laughter. “It’s the music I was listening to!”

“Please tell me you don’t still listen to it?” he begged. “If you could sit down and play anything right now, what would you play?’

“Oh…don’t do that…”

“Why not?”

“Because now I feel like I’m under the microscope. Like you’re going to criticize my choice in music – especially if I pick something that’s not one of your songs or something.”

Matt pulled back and shifted so they were fully facing one another. She immediately missed the heat of his body pressed up against hers.

“No pressure. Just honesty. I’m genuinely curious. If no one was here, what would you play?”

“Classic Elton John,” she said without hesitation. “I love his music. All of it. But his earlier stuff is my favorite.”

“I was working on one of his songs earlier, and I have to admit, it didn’t sound half bad.”

“Prove it,” she challenged, a grin on her face and a twinkle in her eye.

“No way,” he replied, shaking his head. “That’s not fair.”

“How is it not fair? You’re a musician. You play music in front of tens of thousands of people all the time. Why can’t you play one song on the piano for me?”

“Because I barely know how to play it.” Then he stopped, and Vivienne did not like the look on his face. Matt stood and held out his hand to her again. “Play it with me.” His voice was so soft as was his expression and, this time, she fit her hand into his without hesitation.

Together they sat on the piano bench and Matt set up the sheet music and started to play.

Only…he couldn’t.

At least, it’s how it seemed to Vivienne.

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About the Author

Samantha Chase released her debut novel, Jordan’s Return, in November 2011. Since then, she has published twenty more titles and has become a New York Times and USA Today bestselling author. She lives with her husband of twenty-five years and their two sons in Wake Forest, North Carolina.

Excerpt: The Nearness of You by Amanda Eyre Ward

About the Book

In this profound and lyrical novel, acclaimed author Amanda Eyre Ward explores the deeper meanings of motherhood—from the first blissful hello to the heart-wrenching prospect of saying goodbye.

Brilliant heart surgeon Suzette Kendall is stunned when Hyland, her husband of fifteen years, admits his yearning for a child. From the beginning they’d decided that having children was not an option, as Suzette feared passing along the genes that landed her mother in a mental institution. But Hyland proposes a different idea: a baby via surrogate.

Suzette agrees, and what follows is a whirlwind of candidate selection, hospital visits, and Suzette’s doubts over whether she’s made the right decision. A young woman named Dorothy Muscarello is chosen as the one who will help make this family complete. For Dorrie, surrogacy (and the money that comes with it) are her opportunity to leave behind a troubled past and create a future for herself—one full of possibility. But this situation also forces all three of them—Dorrie, Suzette, and Hyland—to face a devastating uncertainty that will reverberate in the years to come.

Beautifully shifting between perspectives, The Nearness of You deftly explores the connections we form, the families we create, and the love we hold most dear.

Excerpt

1

“I love you,” said Hyland, in a tone suggesting that whatever was to follow would be terrible.

“I love you, too,” said Suzette. It was one of her rare days off, and they were having brunch. Hyland had ordered mimosas, a bad sign. After fifteen years of marriage, day drinking generally led to a queasy afternoon nap followed by dry mouths, pizza for dinner, and the sense that they should be having more sex. Thirty-­nine was a confusing age.
“Are we celebrating something?” said Suzette, when the waitress (a white girl whose nose was pierced through the septum with a cylindrical ring) placed their champagne glasses on the table.

“Are we celebrating something?” said Suzette, when the waitress (a white girl whose nose was pierced through the septum with a cylindrical ring) placed their champagne glasses on the table.

Hyland sat back in his chair, lifted his drink. “We’re celebrating our life,” he said. “Life! We are celebrating life.”

If he’d had some sort of terminal diagnosis, Suzette would know. Wouldn’t she know? Surely, someone at the hospital would have told her. But there were many hospitals in Houston. “Are you . . . ick?” she ventured.

“Sick? No, no!” said Hyland. But his face was weird as he gazed at her. In fact, he was looking at Suzette as if she were ill, her demise imminent—­a combination of adoration and teary gratitude. Suzette was mad about her husband, but she hated this expression.

“Hyland,” she said, pointedly sipping her ice water. “Something’s going on. Just tell me.”

“I’m sorry,” said Hyland. He clasped her hands in a hot grip. “But it’s not a surprise. It’s a realization. OK? And will you hear me out?”

Suzette nodded warily. “Go on,” she said.

“Do you want to order first?” said Hyland. “Yum, blueberry buckwheat pancakes!”

“Out with it, Hyland.”

“OK. OK, honey. Here’s what it is. I was jogging on Wednesday, you know, around the neighborhood. I was . . . ell, you know I’ve been unhappy at work.”

Suzette nodded. Her stomach eased. He was going to quit his job. No matter: Hyland, who had thought he’d be an artist, had worked at six different architecture firms since getting his degree, his mood circling from elated to morose, then back again with each new office. Suzette made enough money. She wanted Hyland to be the optimistic man she had married—­she depended on it—­and if leaving Glencoe & Associates would return him to himself, she was all for it. She nodded sympathetically, picking up her mimosa.

“And I thought, I’ve been thinking, is this it? I mean, we have our work, the house, the garden, but I mean—­is that all?”

“Is this about your job?” said Suzette hopefully.

“No,” said Hyland. “It’s about—­ And please listen. It’s about. Well, it’s about a baby.”

Fear shot through Suzette. She had a sudden urge to stand up and throw her drink across the room. But she gathered herself. She breathed in slowly (Count to four, she heard the British narrator of her “Meditation for Anxiety” cassette tape intone); she held her breath, then exhaled (four, five, good work then . . . nd six). She cleared her throat. “No,” said Suzette. “No, Hyland. Honey, please. We’ve decided. Haven’t we decided?”

He held up his hand, nodding. “But what if we didn’t have to use . . . hat if it were my baby—­but with a surrogate mother? Not even one cell of Crazy Carolyn. Just a baby that’s biologically mine and otherwise both of ours. It’s not so strange.”

“You’ve thought about this,” said Suzette, feeling hollow. She wanted to cry, but hadn’t cried in twenty years. “Hyland, we agreed . . .”

He nodded. She’d told him she didn’t want children on their first date. She’d said it simply, as soon as she realized how intriguing she found Hyland, and also how calm he was—­and kind, a quality she’d almost given up on, especially amongst the overwrought medical school colleagues she’d been dating.

So many years ago: they’d finished their enchiladas and headed outside. Hyland couldn’t wait to show Suzette his favorite museum, a few blocks away from La Tapatia Taqueria. “There’s something I need to tell you,” Suzette had said.

“Yes?” Hyland wore jeans and a Mexican wedding shirt with elaborate embroidery. Suzette had chosen one of her two sundresses for the blind date. Her closet was bare: she had no money and had lived for the past year in medical scrubs, even sleeping in them between shifts.

“My mom is very sick,” said Suzette, pushing her hair behind her ears and looking past him, focusing on a live oak. “Mentally. She has a very bad mental illness. She’s—­she’s in an institution now, and she will probably always be there.”

Suzette saw that she had his full attention. His gaze was expectant but not surprised. Suzette exhaled. She was tired of telling this story, not embarrassed but simply over it. She hadn’t talked to her mother in years. As far as she was concerned, Carolyn was dead.

“And I . . . was sick, too, in college,” Suzette continued. “Mentally. But I’m fine now. I take medication, and I guess there’s always the risk that I’ll . . .” She could scarcely speak—­the memory of the year she’d suffered was too awful to summon: the black terror and desolation, the difficulty of living from minute to minute. When she’d been unable to bear the pain a moment longer, she’d swallowed a bottle of sleeping pills. Her college roommate had returned from a date early, and Suzette was finally put on the meds that saved her, and had kept her pretty much sane ever since.

“Anyway,” Suzette continued, “I never want to have, um, children. I want this sickness . . . o end with me.”

“Where?” said Hyland.

His question was so unexpected that Suzette laughed, stunned, then managed, “Where what?”

“Where’s your mom?”

“Oh,” said Suzette. “It’s in New York. She’s in New York. That’s where I’m from.”

“Me, too,” said Hyland.

“You too what?” said Suzette. Her head was spinning.

“I’m from New York. Upper East Side. I grew up with my . . . ith relatives on East Seventy-­ninth.”

Suzette nodded. Relatives? She decided not to ask, not yet. “My mom’s at Bellevue.”

It was a strange prelude to a first kiss. But Hyland leaned toward her and she closed her eyes. His lips on hers, his mouth. It was love, it really was love.

After the kiss, they continued walking to the Dan Flavin installation. Hyland (who still thought he’d be a famous artist himself) took Suzette’s hand amongst the tubes of glowing neon, turning once in a while to absorb her bewildered-­but-­blissful expression.

“Do you get it?” he asked, in the main hall. Neon lights pulsed— pink, yellow, green, blue—­and Suzette stared down, where the concrete floor seemed a river of color.

“No,” admitted Suzette. “But I love it.”

“Then you get it,” said Hyland.

They returned to his small rental house in Montrose, where he tried to make bananas Foster, setting off his fire alarm after igniting a pan of rum. By the time they figured out how to turn off the alarm and ate the dessert, it was evening. They drank cold beer on Hyland’s front porch, then made love. When Suzette woke in the middle of the night, she felt a cool peace over her like water, her stomach calm. She looked at Hyland, touched his face, knew she’d do anything to keep him, to never return to the way she’d been just hours before: scared, dislocated, alone. They were married the following year by a justice of the peace, then took their four best friends to Goode Company Seafood for campechana, oyster po’ boys, and champagne. (They’d had to live on beans and rice for a month to save up for the celebration, and it was worth every penny.)

Now, he sighed. “You’re right,” he said. “I know. We did agree.” And there was so much sadness in the words that Suzette was taken aback. Hyland looked at her. His parents and sister had been killed in a car accident when he was eleven. He’d told her, in their early courtship, that he’d always dreamed of having children, of seeing his mother’s face in them. He’d broken off their engagement over it, said it was just too important to him. But then, in the most wonderful turn of events, he’d changed his mind, and they were happy.

“I thought we were happy,” said Suzette.

But Hyland did not reply.

That night, Suzette lay awake, despite the Ambien. She tried deep breathing, then the meditation tape on her Walkman—­the man with a British accent told her to “just check in” with each of her organs: How do your lungs feel today? Good? Tired? No need to change anything, just take note. And your colon? How does your colon feel?

Suzette pulled off her headphones. She had a full day ahead at the hospital and needed to sleep. But no matter which way she arranged herself, Suzette could not let go. A baby. What if it were possible to have a baby? Because of her brain and her mother’s brain (and God knew, probably her grandparents’ brains before that), Suzette had never allowed herself to yearn for a child.

A baby, warm on her chest. A toddler and a bag of breadcrumbs to feed the ducks in the park. The chance to erase her past, to begin anew. Suzette discovered that she liked the idea of the child being Hyland’s, a zygote formed with his sperm and the egg of someone young and sweet, someone who would disappear from the picture after a safe and joyous birth. (Bonus: Suzette would not have to give birth! Labor—­its utter unpredictability, the brute nature of the act—­had always terrified her. She was a surgeon for a reason, and that reason was complete control.)

As the pill lowered its leaden curtain, zonking Suzette’s mind into silence, she curled up, lay on her side. Oh, maybe, she thought: a warm girl, the nape of her neck smelling of baby shampoo . . .

2

It was a lark for Suzette, at first. Nerve-­racking, yes, but exciting. There were piles of folders—­so many young eggs! So many wombs for rent! The best chance for conception was traditional surrogacy: Hyland would medically impregnate someone young(er), who would carry the baby to term. Suzette could keep working without interruption and Hyland would sire a child. It was a win-­win all around.

Late at night, though, Suzette panicked. It seemed straightforward, clinical, but something deep within her was disturbed. She thought of backing out, but Hyland was so damn thrilled—­she hadn’t seen him like this in . . . ell, ever. And she felt a fragile hope herself. A child—­Hyland’s child—­had been more than she’d ever dared to want. And yet, why not?

Because she was scared. Suzette still felt surprised by her good luck each night when she came home and Hyland was not only still there but still loved her. It was some sort of post-­traumatic stress thing, she assumed: due to her miserable childhood, Suzette’s fight-­or-­flight response was all out of whack and she saw normal life as precarious. She tried to tamp down her terror, sat next to her husband as he paged through the donor profiles. He kept his hand on her knee, knowing her, knowing she was like a spooked animal.

In the middle of May, they chose a donor named Gail. Gail looked quite a bit like Suzette, actually: red hair and green eyes. But she was twenty-­nine years old and had already given birth to two biological children and two surrogate babies, one for a gay couple in Arlington and one for a straight couple in Port Aransas. She kept a diary on her MySpace page, and Suzette spent her lunch break poring over it, reading about each of Gail’s pregnancies (a craving for peanut butter was a recurring theme) and staring at pictures of Gail’s children. Gail also had a husband, Oliver, who posed cheerily next to his constantly pregnant wife at bowling alleys and on a fishing boat.

Gail lived in Sugar Land, a Houston suburb that had been built atop a sugar plantation. Gail wrote that Oliver worked “in the construction arena.” Suzette surmised that the $35,000 each surrogate birth brought in helped pay for the boat and matching trucks (with vanity plates reading hiz and herz).

“I don’t know,” said Pam, the head nurse, looking over Suzette’s shoulder at her computer screen.

“She’s cute, though, don’t you think?” said Suzette.

“Sure,” said Pam. “But Dodge Rams? You drive a Lexus.”

“What’s your point?” said Suzette irritably.

“You’re classy,” said Pam. “That’s all I’m saying.”

Despite herself, Suzette was flattered. “Get scrubbed in,” she said.

“Yes, boss,” said Pam.

But before Suzette had time to prep for her 1:00 p.m. angiogram, she was paged for a donor run. An ambulance waited outside St. Luke’s, and Suzette called Hyland as it sped her through the city to the airport. “I don’t know how long I’ll be,” she said.

“We’re supposed to meet Gail and Oliver,” said Hyland. “At Applebee’s.”

“I know,” said Suzette. “I’m sorry.”

“OK,” said Hyland.

“Honey,” said Suzette.

“I know,” said Hyland. “You don’t have to say it.”

The ambulance turned in to George Bush Intercontinental Airport, following signs to John F. Kennedy Boulevard. Suzette peered out the window as they drove onto the tarmac, parking next to a private jet. “We’re here,” said Suzette. “At the jet. I have to go.”

“Goodbye,” said Hyland, cutting the line.

Suzette sighed, closed the phone, and stepped out of the ambulance. She nodded to the pilot, grabbed the transport cooler, and climbed the stairs to the passenger entrance of the jet.

“Six-­week-­old baby in Amarillo. Dallas didn’t have a match.” said Stefan Vaughn, the senior resident, who was already on the plane, flipping through the chart. “Motor vehicle accident. No insult to the heart. They did the second brain death exam an hour ago. Donor echo looks good.”

Suzette nodded. They both acknowledged the baby’s death with silence. The stewardess offered a basket of cheese and crackers. Suzette shook her head. She closed her eyes as the jet began to pick up speed, barreling down the runway. When they were airborne, she opened her eyes again. Stefan was spreading Brie on a Ritz cracker. “Come to think of it,” said Suzette, “I will have a snack. And a coffee, please.”

“Of course,” said the stewardess, unbuckling her seatbelt and heading to the galley kitchen.

“I could get used to this,” said Suzette.

Stefan nodded, brushing crumbs from his lips.

A waiting ambulance at Amarillo International Airport transported them to the hospital The operating room was filled with teams of surgeons: the baby would give up both her lungs, eyes, and kidneys as well as her pancreas, liver, small intestine, skin, and bones. But everyone was waiting for Stefan and Suzette, as the heart was removed first, transforming the patient from a state of brain death to a body without a pulse. The tiny cadaver was already prepped and draped on the operating table, and Suzette was relieved—­it broke her to see a dead baby in his or her entirety, though she never let on.

Excerpted from The Nearness of You by Amanda Eyre Ward. Copyright © 2017 by Amanda Eyre Ward. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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About the Author

Amanda Eyre Ward is the critically acclaimed author of six novels, including How to Be Lost, Close Your Eyes, and The Same Sky. She lives in Austin, Texas, with her family.

Cover Reveal: Only a Mistress Will Do by Jenna Jaxon

About the Book

The man of her dreams . . . belongs to another woman.

Destitute and without friends, Violet Carlton is forced to seek employment at the House of Pleasure in London. She steels herself for her first customer and is shocked when the man rescues her instead of ravishing her. A grateful Violet cannot help but admire the handsome Viscount Trevor. But she must curb her desire for the dashing nobleman she can never have because he is already betrothed to another . . .

Tristan had gone to the House of Pleasure for a last bit of fun before he became a faithful married man. But when he recognizes the woman in his bed, he becomes determined to save her instead. Now, his heart wars with his head as he falls for the vulnerable courtesan. Unable to break his betrothal without a scandal, Tris resolves to find Violet proper employment or a husband of her own. Still, his arms ache for Violet, urging him to abandon propriety and sacrifice everything to be with the woman he loves. . . .

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About the Author

Jenna Jaxon is a multi-published author of historical and contemporary romance. She has been reading and writing historical romance since she was a teenager. A romantic herself, she has always loved a dark side to the genre, a twist, suspense, a surprise—so expect her to incorporate these elements into her work! She lives in Virginia with her family and a small menagerie of pets where she is currently working on the next House of Pleasure book, Only A Mistress Will Do, as well as a Regency series. When not reading or writing, she indulges her passion for the theatre, working with local theatres as a director. She often feels she is directing her characters on their own private stage when she writes. Jenna equates her writing to an addiction to chocolate—once she starts she just can’t stop!

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Spotlight: Three Times Torn by Felisha Antonette

Series: A Burdened Novel #2
Genre: Young Adult Paranormal Romance
Release Date: January 9, 2017

About the Book

Living for someone has never been this literal. Tracey's fun and free life has taken a nefarious turn. Since releasing her heart to Nathan, the repercussions for choosing to love a Burdened Sephlem have been deadly, daunting, and more dangerous than she ever predicted.

If life only allowed her a moment to breathe, to break away from her tainted father and chaotic friend, the injurious bonding may be easier. But there are sentiments rushing through her veins that is twisting her through a whirlwind of bliss and chaos. And a breath of fresh air only resides in one place. . . Until he's changed. . .

Someone who lives to destroy Tracey's mate, Nathan, has the perfect concoction for tragedy and Tracey is his primary ingredient. Influenced by the sinister intentions of Roehl, Nathan's half-brother, Tracey's outlook on her bond has faltered. She will be required to choose again, and all signs point in the wrong direction; for her and her friend.

Can bonds tied to the soul be broken? Or will a Burdened Sephlem have to bare his soul to keep his mate.

Excerpt

You know that moment when you’re falling, almost floating in the sky, but really you’re plummeting? Then you slam down and that’s not it, the force of your fall as you’re smashing against the cracked concrete brings you to bounce back up just before you start falling again. . .?

That’s where I am, right there in between the rise and the fall. And I’m kind of stuck. I’ve felt the rush of the fall and the pain from the landing. Now, I’m ready to settle down even knowing it’ll hurt when I hit again.

I squeeze my eyes shut, counting down from ten. You can do this, Tracey, I try, try to encourage myself. Resist it, I think, hearing the strain in my thought. I grit down on my teeth only at five one-thousand.

Ugh! I can’t. It doesn’t hurt, it just drives me freaking insane! Nate, please? Please come up here.

Sparky, he carries with his grumble.

Nathan? I beg.

Sparks, baby. I literally. Lit-er-a-lly just left you like forty-five minutes ago.

I slump down in my chair, scraping my thumbnails over each other. A bubble builds in my chest as a masking irritation itches my flesh—every inch of me.

Nathan sighs. I’ll come up there when you go on lunch. You’re killing me, Sparks.

This stupid bond is killing me, I rant. I know, Nate. Don’t say it. Don’t take this the wrong way, but I hate being crazy over you. He laughs. I get it all. The love, lust, the obsession.

Talk to me later, okay? I’ve gotta get some work done since I’m cutting the day short.

Me too. I sigh, looking over my notes, comparing them to what’s on the whiteboard. They don’t match. I might’ve dazed out at some point and started scribbling what I thought I heard.

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About Feilsha Antonette

Felisha (Peiri) Antonette writes heart-throbbing young adult and new adult romantic suspense, paranormal, science fiction, and contemporary romance with compelling characters who stick with you long after you turn the last page.

When she's not writing, Felisha spends time with her beautiful daughter, staying cool in Arizona, considering mountain climbing, and finding a way to get back to her hometown Chicago. With a bachelor’s degree in Psychology and Creative Writing, she can pick apart a person's motivations to create a believable character, but she has yet to master time management.

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Spotlight: Deputy Laney Briggs Series

Folks say I’m reckless. I suppose loading a Texas Ranger in the ass with buckshot in my fit of jealousy earned me more scrutiny than the preacher’s wife at a Sunday potluck.

Now I work as a deputy, and the pistol on my hip is registered. I’m finally moving past all the tongue wagging about my youthful escapades. That is until Gunner Wilson, the object of said target practice, struts his cowboy boots back into town. Now he keeps showing up everywhere with that sexy grin of his.

All I want to do is solve this latest case then kick the cocky, tattooed lawman to the curb. But Gunner has gotten under my skin. And hell, that’s a problem, because I’ve made a new life in Pistol Rock, one that doesn’t include my hotter than hell ex-boyfriend. Except now I need his help…and asking a favor from Gunner might cost me more than just a pair of panties…

There’s something about a cowboy, right? Exhibit A: Gunner Wilson—Pistol Rock’s resident gunslinger. He’s broad-chested, inked, with a devilish swagger that could make a nun to recant.

He moved back into my life quicker than a cold snap comes and goes in Texas. I should be concerned since Mr. Sexy Texas Ranger has put me in hot water more times than I can count. Yet we can’t keep our hands off each other.

Folks in town say he’s bad news. I beg to differ. He’s changed. They think I should give him the boot. Rid my life of more trouble. But what they don’t know is—

I’m the one welcoming trouble into our small town. And sometimes a reformed bad boy is the only thing standing between a girl and some-not-so-very-good men.

Give me tight Wranglers. Stetsons. And a grin that would make the devil green with envy.

Give me Gunner Wilson. I’m his. And he’s mine. We’ve been given a second chance, and I have every intention of showing my cowboy how much he means to me.

Tonight, he has my kisses, my desire, and my focus. It’s date night, and I’m bringing the big guns—

My red cowboy boots.

The second I ran into Gunner Wilson and his outrageously cocky attitude at my cousin’s shooting range, I considered us a team. Then he played dumb about a duffel bag full of money, my cousin’s whereabouts, and the freaking case he’d been working.

Now, I’d bet my britches (and everything else I’m wearing) that my sexy, hot-assed Texas Ranger is lying about my cousin’s real involvement in the local gun smuggling ring.

I know just how damned distracting Gunner can be. Trust me. The pure, unadulterated want between us has never been stronger—and it seems Gunner is pulling all the punches to drive me crazy. He’s good, I’ll hand him that.

But as they say—“You can’t pick your family”—and I’ll be damned if I’m going to let one of them take heat for a crime they didn’t commit.

This case means war.

Laney

Happily ever afters are for wimps. At least that’s what I tell myself. Although, when you expect a proposal from your longtime boyfriend and instead watch him arrest your best friend—diamond size becomes a moot point.

This time not even that sinfully delicious swagger will be enough to save Gunner Wilson from my shit list.

Gunner

Yep, Laney’s gonna have my hide. Especially when she finds out how much I’ve been keeping from her.

Mafia? Check. Corrupt cops. Check. Fake arrests. Check. Check.

It looks bad. I know.

But I love my girl. I’ve made some mistakes. Damn right, I have. But everything I’ve done was to protect her.

I’ll break every rule in the book to prove to Laney I’m the best man for the job.

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About Jodi Linton

Jodi Linton is the author of the Deputy Laney Briggs Series and the Dirty Sinners Motorcycle Club. She lives in Texas with her husband and two kids. When she's not writing about sassy females and dirty talking heroes, she enjoys long walks and family time down at the river.

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Spotlight: Journey to the Rift by Cathi Shaw

Genre: YA Fantasy
Release Date: November 3rd 2016
Ink Smith Publishing

About the Book

A dangerous quest into a forbidden land wasn’t exactly what Brijit Carnesîr was planning after her graduation from the Academy. For years she has looked forward starting her life as a member of the Coimirceoirí and she is thrilled to discover that she has been chosen as the Academy Apprentice of her year. But despite the fact that she has been longing to go to Séreméla and work with the Elders, it soon becomes apparent that her fate isn’t as rosy as it appears to be. First, she is paired up with a grumpy male apprentice from Stone Mountain, Weylon Forborrow. Second, it doesn’t take her long to discover that the Elders are not taking her to Séreméla, as tradition dictates. Instead, Weylon and her are sent to The Rift, a dead land tainted with evil. Even before they join the Elder royalty at Tèarmann, an ancient fortress on the cusp of the Rift, Brijit discovers that the Elders are hiding too many things. She is given the task of helping the Princess in birthing the long awaited Queen of the Elders but nothing is as it seems. There is talk of an old and forgotten Prophecy, Weylon is attacked by a creature from the Rift and her grandmother is killed, after revealing a secret that rocks everything Brijit knows about her past. Soon Brijit questions everything she had been led to believe and, worse, she realizes that the future of Séreméla and all of Five Corners is in jeopardy, unless she can find a way to save it!

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About the Author

Cathi Shaw lives in Summerland, BC with her husband and three children. She is often found wandering around her home, muttering in a seemingly incoherent manner, particularly when her characters have embarked on new adventure. In addition to writing fiction, she is the co-author of the textbook Writing Today and the true story, Surviving Logan.

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