Spotlight: Tightrope: Balancing Duty with Courage and Conviction by Jennifer Hyland

Jennifer Hyland dedicated twenty-six years to Canadian law enforcement, working major investigations, making high-stakes decisions, and rising to one of the highest ranks in policing. From the outside, her career reflected leadership, achievement, and success. Behind the scenes, the demands and emotional weight of the profession were quietly taking their toll.

In this memoir, Hyland offers an insider account of modern policing, exploring the emotional weight officers carry long after the workday is over. As the demands of the job continue to grow, she confronts PTSD, a diagnosis of multiple sclerosis, and the realization that the profession she had dedicated her life to was asking more than it gave.

Through candid reflection, she explores the pressure to remain strong, the expectations placed on those in leadership, and the personal cost of staying silent. Along the way, she examines the impact the job can have on identity, health, relationships, and the difficult reality that no two people experience trauma or healing in the same way.

Offering a deeply personal perspective, Jennifer Hyland explores resilience, leadership, and the human side of public service.

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About the Author

Jennifer Hyland is a retired Deputy Chief Constable with over twenty-six years of service in Canadian policing, where she rose to one of the highest leadership ranks in the profession. Her career spanned complex investigations, frontline operations, and senior command roles, giving her a rare, inside perspective on both the realities of the work and the systems behind it.

Based in Maple Ridge, British Columbia, Jennifer now speaks to organizations and audiences across industries on leadership, resilience, and navigating high-pressure environments. She is especially focused on supporting leaders who are committed to maintaining their values within complex and demanding systems.

Tightrope: Balancing Duty with Courage and Conviction is her first book.

Find out more at jennhyland.com.

Spotlight: The Resilience of Red Thread by Catherine Marshall-Smith

Catherine Marshall-Smith (acclaimed author of "American Family") is back with her second gripping novel, “The Resilience of Red Thread” (She Writes Press, July 21, 2026). After Emily flees her abusive ex-husband, Lee, with the exterminator she hired to kill hornets in her backyard, she finally feels safe. Jake offers Emily and her daughter a beautiful place to live where Lee will never find them. Unlike Lee, Jake has a steady job, doesn’t drink (she’s never met a man who doesn’t), and doesn’t hit. Isolated in a cabin in the Santa Cruz mountains, Emily distracts herself from the liquor cabinet and from worrying that Lee will track her down by planning a surprise for Jake: a reunion with the sisters he hasn’t seen since foster care. But the deeper she digs into Jake’s past, the more she realizes he’s very different from the man she believed him to be.

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About the Author

Catherine Marshall-Smith realized her calling to be an author after many years teaching 6th grade writing. She published her debut novel, “American Family,” in 2016, and the novel has sold internationally. She earned her bachelor’s degree from UC Berkeley in English literature, a teaching credential from San Jose State University, and a Writing Credential from UCLA, where she was nominated for the James Kirkwood Award for excellence in the writing of fiction. Catherine is in charge of philanthropy with the Women's Club of Marin and The Philanthropic Educational Organization (PEO) of Novato, California. She lives with her husband in the San Francisco Bay Area. “The Resilience of Red Thread” is her second novel. Learn more at: www.catherinemarshallsmith.com

Connect:

Twitter: @Cat_Mars_Smith

Instagram: @CatherineMarshallSmith

Spotlight: Carry Me to My Grave by Christopher Golden

From New York Times bestselling author Christopher Golden comes a high concept horror novel about a man trying to protect his dead mother's body from the evil that is hunting them.

Maggie Wise will take your eyes.

When Malcolm was growing up, the local kids claimed his mother was a witch. Now Maggie is dying, and Malcolm and his sister-in-law Violet are left to keep vigil as something ancient begins to stir.

On her deathbed, Maggie extracts a final promise: when she dies, Malcolm must return her body to her birthplace in rural Maine. But from the moment she takes her last breath, dark forces awaken to stop him. Violence erupts aboard the train carrying her remains, and once night falls, long-buried evils rise to make Maggie Wise answer for her past—threatening anyone who stands in their way.

Excerpt

The traveling case lay open on top of Malcom’s bed. He stood beside his bureau, staring at the open drawers. What would he wear to bury his mother? In the next room, Maggie’s heart continued to beat, and he fought the urge to go in there and try to wake her— she would have an opinion about proper mourning clothes. If there was one thing Maggie never lacked, it was opinions. 

Those days are over, he thought. Gone would be the pressure of being Maggie Wise’s son, the expectations she had placed upon all her children. The army had given Malcolm a temporary re spite, but of the three of them, he was the one still here. The one who could live up to Maggie’s standards, or so he told himself. 

He laughed softly at the idea that going to war in Korea had been easier than being home in Elkhart. The smile remained on his face as he slid a pair of folded shirts from a drawer. 

Muffled music came through the wall from Maggie’s bedroom. Malcolm hadn’t wanted to leave her alone, but she’d waved him wordlessly away— she wanted him to get ready to travel. Maggie had often said music was the only company she ever needed, and the velvety voice drifting from the next room belonged to Billie Holiday. “I’ll Be Seeing You” was a haunting tune, full of longing and regret. A number of crooners had recorded it, including Sinatra and Bing Crosby, but the Billie Holiday version was Maggie’s favorite. 

His mother lay dying, listening to her favorite song, and just across the road, a stranger wanted Malcolm to abandon her.

Not a chance in hell. 

The curtains billowed. When the gust deflated, he lay the folded shirts on top of other clothes he’d placed in his traveling case and went to the window. He had no view of the street from here, but he suspected the man he thought of as the raven remained there, watching. 

He surprised himself by not caring. His mother had set him a task and he meant to fulfill it. Whatever this guy wanted, he wasn’t going to get it. Maggie Wise would be dead and unable to pay her debts. 

Debts. Shit. 

They’d discussed the idea that the raven might be a bill collector, but those guys weren’t out knocking on doors in the predawn hours unless they were leg breakers for some loan shark, and no body in this house would have gotten involved with people like that. Distracted by grief, he hadn’t considered that there were other members of the family. 

Goddamn Elias. Malcolm sniffed derisively. That must be it. 

The guy out under the willow tree had said some strange things, even maybe threatened Maggie, but as Malcolm played the con versation back in his head, he thought maybe it hadn’t really been about her at all. Except as a target. 

Elias probably owed somebody a lot of money, a gambling debt that had grown so large that the person he owed had sent the raven to collect in any way possible. There wasn’t much of value in the house, but the raven didn’t know that, so he was threatening Maggie because her son had skipped out on some gambling debts. It made so much sense, viewed in that light. 

“Elias,” he whispered to himself. “You dumb son of a bitch.” 

How much money did his brother owe, and to whom? Had Elias told them he would inherit the house after Maggie died, used that as collateral? Malcolm didn’t know what Maggie had written into her will, but he figured Elias would receive at least a one- third share. Maybe he would own the whole thing, and whoever he owed planned to take it once she’d breathed her last.

Either way, his debts would prove a problem for Violet in the days to come. 

Malcolm resolved to help her as best he could, but whatever trouble Elias had brought to their doorstep would have to wait. 

A black suit hung in his closet. He touched the sleeve, rubbed the fabric between thumb and forefinger, and wondered at the necessity of bringing it along. He didn’t know anyone in Maine, and if they had family up that way, Maggie had never mentioned them, so her funeral was likely to consist of a graveside blessing followed by the rhythm of shovels in soil. Travel light whenever possible, Maggie had always said, and he meant to follow that advice. 

No black suit. He could mourn his mother’s death without wearing a necktie. Though in this weather, he’d need his over coat, which was gray tweed. 

As he wondered what he might have forgotten to pack, he ran a hand over his jaw. If he meant to commit himself to Maggie’s instructions— and he did— he’d have precious little time to waste from the moment she passed. He ought to have a bath and a shave right now. 

“This is absurd,” he whispered. 

A quiet knock came at the door. 

“Come in, Violet.” 

The hinges squeaked as she stepped into his room. 

There had been many nights when he’d lain awake thinking of the way Violet sometimes looked at him, and how often they shared a contemplative pause after an unintended touch. Those nights, the knowledge that Maggie would hear the squeak of his hinges was sometimes all that kept him from rising from bed and going to Violet. Decency and the law demanded he not dare, but honor couldn’t change how he felt.

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About the Author

Christopher Golden is the New York Times bestselling and Bram Stoker award-winning author of Ararat, All Hallows, Road of Bones, and Snowblind, among many other novels. He is the co-creator of two cult favorite comic book series, Baltimore and Joe Golem: Occult Detective. He is also the editor of such anthologies as Seize the Night and The New Dead, and won the Shirley Jackson Award for coediting The Twisted Book of Shadows. He lives in Massachusetts

Spotlight: Voices Carry Here by Gail Galotta

Mystery and Suspense

Date Published: 05-04-2026

Publisher: Mission Point Press

Do you hear the voices? Listen if you dare . . . You’ll get both the heebies and the jeebies in this unsettling new title.

A henpecked husband learns that “till death do us part” isn’t the end of the story when his dead wife returns.

A newly retired couple uncovers a pestilent secret buried beneath their dream home.

A young woman retreats to the countryside to discover herself, only to stumble upon an unsolved tragedy calling out for justice.

Voices Carry Here is a collection of short stories steeped in mystery, suspense, and the supernatural. Set against the beauty of Michigan’s Upper Peninsula, these tales will reveal secrets just beneath the surface of tranquil lakes, cries for help echoing from shadowed campgrounds, and small-town characters experiencing extraordinary circumstances.

Blending chills with warmth, author Gail Galotta’s flair for supernatural suspense is tempered with touches of humor, romance, and nostalgia.

Excerpt from “The Pestilence House”

We moved into our newly constructed home in early June. The first nightmare occurred just two weeks later.

I awoke to the sound of heavy breathing. Thinking at first that it was Ken, I swept my arm across to his side, but it was vacant. I quickly realized that something else was present in the room, something that was steadily approaching the bed. I lay there paralyzed, my back to the presence that hovered above me for a moment and then lowered toward my head. I could feel the subtle waves of labored breaths against the nape of my neck. I tried to scream, but terror froze my vocal cords. Is this a dream? It must be a dream! Where is Ken! Then, another sound invaded my ears—a guttural noise, like that of an animal. A racoon? A coyote? I jerked my head around and opened my mouth to fend off the beast with a mighty shout. Instead, my lips encountered the extended tongue of a different creature. His distorted face—with its bulbous nose and bulging eyes—scarcely seemed human. His skin was dappled with bruises and only thinly veiled the skeletal frame beneath. Suddenly, the tongue retracted, and the jaw extended in an effort to speak—or bite. I screamed. A bloodcurdling scream that vanquished the intruder and sent my very human husband rushing upstairs. 

Ken turned on the light and sat next to me on the bed while I attempted an explanation of…I wasn’t sure what. He suggested that my nightmare may have been prompted by something I heard from the movie he had been watching. My trembling eased as he continued. “Sometimes I wake up and think someone’s at our door. You know, like when our dog used to hear a doorbell on TV.”

The reference made me smile. “I didn’t bark, did I?”

Although Ken’s theory seemed plausible, I wasn’t totally convinced. Especially after I suffered a similar experience a few nights later.

Our cocker spaniel had been gone for several years, but when I felt the mattress yield to the weight of something at my feet, my first thought was of that beloved pet, and I instinctively adjusted my position to accommodate her. Then my eyes flashed open. Something was moving slowly along my body. I could feel the light depressions on the blanket, like footsteps in the snow. This time I didn’t scream. My breaths quivered as something pressed gently on my back and then my shoulder. I lay still, waiting to throw off the…squirrel? Rat? But when a whisper approached my ear, I bolted upright. Whatever noise I made alarmed Ken. This time the television was off, and the only ambient sound that could have possibly inspired my dream was the rhythmic breathing of my husband, who had been asleep next to me in bed. 

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About the Author

Gail Galotta was raised in Chicago with childhood summers in Michigan’s Upper Peninsula.

She’s always been drawn to the mystical pull of water, which often shapes the settings of her stories. An award-winning writer and former English teacher, she lives in Vulcan, Michigan, overlooking the same lake that inspired her earliest work. When asked what inspires her latest fiction, she offers only a cryptic smile.

Connect

Website: http://gailgalotta.com

Goodreads: https://www.goodreads.com/book/show/245421818-voices-carry-here

Facebook: https://www.facebook.com/GailGalottaAuthor 

Spotlight: Worse Than Her Bite by Lauretta Hignett

Genre: Urban Fantasy

Publication Date: July 15th, 2026

Everything is falling into place.

There are only a couple of months to go before I turn eighteen, and I can take custody of my baby brother. My mother is still pretending I don't exist, which is a relief. Ronan is a little further along in the grieving process and not being such a giant sad sack anymore, which is also fantastic. We've got the blood witch on the run, and we've got plans to shrink the Hellmouth so nothing else can come out. I've even started making weapons for my Iron Man suit.

Therapy is going well, too. I'm starting to understand myself a little bit better. Especially with certain... realizations I've had lately.

Everything in my life is working out for the best. And I can't imagine anything possibly going wrong...

Right?

Worse Than Her Bite is book five in the Eternity College Chronicles, a fun new supernatural comedy and urban fantasy series that’s a little bit Buffy The Vampire Slayer, a little bit Wednesday, and a whole lot of Big Bang Theory.

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About the Author

Lauretta is an Amazon bestselling urban fantasy author with a passion for writing kickass characters, weird magical creatures, hilarious banter, and a touch of romance.

When she’s not writing, you'll find her enjoying terrible craft projects, unnecessarily complicated cocktails, and hanging out with her two little kids and her dog, Lola the delinquent lab cross.

In case you're here to check, please know that Lauretta does NOT use generative AI in any story or in any artworks in her books AT ALL. Every weird character and bizarre plotline comes entirely from her own brain, and she types every word herself. Support human art!

Connect:

Amazon: https://amzn.to/4u64oi0

Goodreads: https://www.goodreads.com/author/show/17298070.Lauretta_Hignett

Instagram: https://www.instagram.com/laurettahignett/

Facebook: https://www.facebook.com/laurettahignettwriter

Reader Group: https://www.facebook.com/groups/laurettasravenousreaders

Newsletter: https://dashboard.mailerlite.com/forms/638848/102503267361097073/share

Bookbub: https://www.bookbub.com/authors/lauretta-hignett

Website: http://www.laurettahignett.com/

Spotlight: The Unravelling of Ou by Hollay Ghadery

Moving on is hard. Even harder when it’s from a make-believe friend—someone, or in this instance, some thing—who’s been your strongest source of support. On what should be one of the happiest days ever, the day her granddaughter is born, Minoo is faced with a terrible choice: make a clean break from her constant companion, a sock puppet named Ecology Paul, or lose her daughter and granddaughter, and maybe all of the people she loves. On an emotional drive home from the hospital, Ecology Paul shares the story of how Minoo got to this point, recalling Minoo’s early teenage pregnancy in Iran, her exile to Canada, her questions about her sexuality, and how a ragtag sock puppet came to her when she desperately needed to be seen. Full of imagination, whimsy and heart, The Unravelling of Ou follows Minoo’s struggles to justify the puppet’s existence and untangle herself from her dependence on it and reconnect with the people she loves.

Excerpt

THERE ARE NO LOOSE ENDS; ONLY OUTCOMES WE DON’T LIKE

Minoo’s mother took her to Gilan in the summer of 1992. The province hugged the southwest shores of the Caspian Sea in northern Iran and was home to Parvin, one of her mother’s best friends from her school days. Parvin lived in Talesh County with her fifteen-year-old son, Darius, an infant daughter whose name Minoo can’t recall, and a husband who Minoo only encountered signs of around the house—an ashtray of freshly crushed cigarette butts, embers scattered and smoldering, the urgent wallop of Kouros aftershave in the bathroom each morning, a pair of worn brown loafers at the back door—but Minoo does not recall ever actually meeting him. Though she must have. She’s aware that in the three months she spent at that house, she must have met him at least once. But in the absence of a credible memory, in her mind, he’s taken on the form of Freddie Mercury: abundant mustache, elfin overbite, lithe form, and always just leaving the room.

She remembers clearly what was intangible. This is what I’m trying to say. Minoo had never heard of Freddie Mercury until she moved here, to Canada. Until she met Kit at the Immigrant Welcome Centre, and Kit—with her baby-elephant eyelashes and her gentle, clipped way of speaking, as if she were holding in some big secret—turned up the car radio and sang.

How she took Minoo’s hand in hers and held tight. But that was a different summer…

Not the summer in Gilan, with the ephemeral husband. With the bombination of bees around the cherry tree in the garden and a humming radiance that began in Minoo’s limbs and blossomed from her chest, freely. It’s what she remembers most, even though she knows—she’s been told—there are far more important things she should have remembered. There were far more serious matters at hand, if only she could be serious for one moment.

Minoo was slouched on her bed, sucking on the end of her thick braid, when her mother stormed into the room and slapped the hair out of her mouth. Spit flew and splattered against the wall. Minoo’s cheek burned and when she touched the heat with the cool tips of her fingers, she smiled: the relief. The thrill of that comfort.

“How did it happen?” her mother demanded to know.

“Stop smiling like a donkey and explain yourself!”

But at the time, Minoo couldn’t, the explanation being rooted in her body and her body being as it had always been: a distant, devious entity she was reluctantly, constantly, tied to. Mere hours earlier that day, her mother had reminded her that her body was offensive.

“I don’t care how hot it is. Cover your forearms, Minoo.”

“A bottom like that like two big balls of dough! It’s indecent for your age! At any age!”

And a few weeks before that night, that slap, shortly after they’d arrived in Gilan, Minoo’s period had materialized, and her mother had been dumbfounded to learn her daughter hadn’t brought any sanitary supplies.

“How does this happen?” her mother snapped, digging to the bottom of her own still unpacked suitcase for the box of pads she had remembered to bring. Her mother’s pads were wrapped in purple and looked thicker. When Minoo slipped one into her underwear, she felt like she had a sandwich between her legs. Hungry chuchul, she’d thought to herself and tittered as she walked through the kitchen to the backyard, and her mother, who was in the kitchen, and who never seemed to be far enough away to miss an opportunity to disapprove, furrowed her brows and tsked at the unknown, but undoubtedly, inappropriate source of Minoo’s mirth.

So, how does this happen? This is a serious question, hungry chuchuls aside. How did Minoo not realize she was going to have a period while she was away for an entire summer? She had started menstruating the year before, so she should have known it was coming, and yes, she would have if she’d paid attention to such things. But recall, her body wasn’t something that bore attention. Her period arrived every so often, and she didn’t concern herself with the where or why, remembering what her mother said the night she had gotten her first: menstruation may be natural, but that didn’t stop it from being vulgar.

“Aa-miane, Minoo,” her mother whispered to her in the darkness of Minoo’s bedroom that night, sucking air between her teeth. “Couldn’t you have waited for your father to leave in the morning?”

The way she’d stripped Minoo’s bed and rolled her sheets, underwear, and pajama bottoms into a tight bundle, her teeth bared in her smileless smile, nose twitching, alerted Minoo to the fact that she—the she still standing there, bare-bottomed and backed into the window, head and shoulders silhouetted by the streetlight as a sticky warmth dripped down her legs—was made invisible by the inconvenience of her body.

“Borro,” her mother said without looking up. “Clean yourself.”

In the morning, after her father left for work, her mother took Minoo to the bathroom and showed her how to conceal her pad with the wrapper of the next napkin before putting it in the garbage.

“If it’s very bloody, wrap it in toilet paper too. Do you understand?”

Minoo nodded. Her mother sighed, and for a brief moment, her eyes pooled. It only took that moment for Minoo’s mind to splinter with a memory: her mother sing-ming, taking Minoo’s small hands in hers and clapping them together.

Atal matal tootoole!

Govee Hasan che joore?

Na shir dare na pestoon!

Shiresho bordan hendestoon…

A silly nursery rhyme. Her mother pressing Minoo’s still baby-fat palm against her own cheeks and cooing the nonsense words to her. Giggling. Once, they’d giggled together.

Atal matal tootoole!

How is Hasan’s cow?

It has neither milk nor breast!

Its milk is shipped to India…

Minoo could still remember her mother singing, the trill of her own small voice joining in. They sang as they walked through the market. As they tended the roses in the courtyard. The roses her mother loved because, she said, “They are beautiful, but they also know how to protect themselves.” She pointed to a thorn. Minoo raised her tiny fists and widened her stance, in her childish approximation of a fighting stance. Minoo’s mother laughed lightly, then guided her daughter’s hands back down to her sides.

“No, jigaram,” she said. “Girls are not the same as roses.

Roses naturally grow thorns. Girls don’t. We are forced to grow those, as we get older, but it’s not natural. Mifahmi?”

Minoo nodded yes, even though she didn’t understand at all. What she knew was her elation at the appearance of her mother’s dimples, crescent moons carved into her cheeks, and how when her mother laughed, she often pressed her mouth into one of her shoulders, like she was trying to stifle her joy. Minoo wanted to take her mother’s face in her hands and lift it to the sun, let her laughter fill the sky.

Minoo couldn’t remember the sound of her mother’s laughter anymore. It grew small as Minoo grew big.

“Minoo!” her mother barked, bringing her back into the bathroom. “Do you understand? If it is too bloody, wrap it in toilet paper!” Minoo nodded. Nodded at the small garbage bin with tiny pink flowers on it. The oily black of her mother’s pupils dilating. Minoo nodded and kept nodding. “No one,” her mother repeated, “should be able to tell.” Her mother took Minoo’s head between her hands and brought its bobbing to stillness. She held her daughter’s gaze for a moment longer and moved as if to touch Minoo’s cheek. Instead, she pulled her in for a brief, spine-crushing embrace, and then pushed her away.

“Now go to school.”

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About the Author

Hollay Ghadery is a multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com