Spotlight: The Duke of Distraction by Darcy Burke

The Duke of Distraction, an all-new historical standalone from USA Today bestselling author Darcy Burke, is available now!

After witnessing how love embittered his uncle and broke his father, Felix Havers, Earl of Ware vows never to love. He conceals his emotions behind a wall of wit and charm, and is celebrated as the master of entertainments—parties, picnics, races. When his best friend’s wallflower sister needs to find a husband, he promises to make her the toast of London... without losing his heart.

Miss Sarah Colton has given up on the pursuit of marriage. When her parents learn she intends to open a millinery shop, they give her an ultimatum: choose a husband or they’ll do it for her. She accepts Felix’s help, never imagining their scheme will ignite a mutual attraction neither of them dare indulge. But when tragedy strikes, can they heal each other or will the demons of Felix’s past consume them both?

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About Darcy

Darcy Burke is the USA Today Bestselling Author of sexy, emotional historical and contemporary romance. Darcy wrote her first book at age 11, a happily ever after about a swan addicted to magic and the female swan who loved him, with exceedingly poor illustrations. Join her reader club at http://www.darcyburke.com/readerclub. A native Oregonian, Darcy lives on the edge of wine country with her guitar-strumming husband, their two hilarious kids who seem to have inherited the writing gene, two Bengal cats and a third cat named after a fruit.

Connect with Darcy:

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Website: http://www.darcyburke.com

Stay up to date with Darcy by joining her Reader Club today:

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Spotlight: Quiet Lessons for the Introvert's Soul by Gabriela Casineanu

Quiet Lessons for the Introvert's Soul

Through a series of interviews with successful introverts, Casineanu reveals the strengths that come from being quiet and reserved. Authors, professionals, entrepreneurs and even a top sales performer share how they overcame their challenges in a world that assumes that successful people are extroverts. The book also encourages to reflect on your journey so far, to discover what abilities you've relied on in tough situations. 

Conversational, witty and fun, Quiet Lessons for the Introvert’s Soul shines a light on how introverts can contribute to building a better world—even if they do it quietly!

Not an introvert? "To say this book changed my negative perspective of introverts being unsociable is an understatement. There are many insightful moments throughout this book, and the lessons learned will not only empower the quiet and reserved in society," said an extroverted reader.

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About the Author

Award-winning author and professional coach, Gabriela Casineanu considers life as a self-discovery journey worth exploring. Her creative and curious soul didn’t care much about the MBA and 18 years in engineering. It found a way to turn things around, leading to coaching, training, creative entrepreneurship, and artistic expressions. Not being able to talk for four months due to burnout (a blessing in disguise) forced her to embrace writing as a form of self-expression. Two years later, this creative introvert had already published ten self-growth books to help other introverts improve their relationship with themselves, their career, and others. You can find more about her at GabrielaCasineanu.com

Spotlight: We Must Be Brave by Frances Liardet

Spanning the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.

One woman. One little girl. The war that changed everything.

December 1940. In the disorderly evacuation of Southampton, England, newly married Ellen Parr finds a small child asleep on the backseat of an empty bus. No one knows who little Pamela is.

Ellen professed not to want children with her older husband, and when she takes Pamela into her home and rapidly into her heart, she discovers that this is true: Ellen doesn’t want children. She wants only Pamela. Three golden years pass as the Second World War rages on. Then one day Pamela is taken away, screaming. Ellen is no stranger to sorrow, but when she returns to the quiet village life she’s long lived, she finds herself asking: In a world changed by war, is it fair to wish for an unchanged heart?

In the spirit of We Were the Lucky Ones and The Nightingale, here is a novel about courage and kindness, hardship and friendship, and the astonishing power of love.

Excerpt

1

She was fast asleep on the backseat of the bus. Curled up, thumb in mouth. Four, maybe five years old.

I turned round. The last few passengers were shuffling away from me down the aisle to the doors. "Whose is this child?" I called.

Nobody looked back. Perhaps the bombing had deafened them. Or maybe they simply didn't want to hear.

"Please. Someone's left a child!"

But they were gone, making their way down the steps and joining the line of people straggling toward the village hall.

It was lucky I was there, checking every bus. Otherwise this small girl might have gone all the way back to Southampton. Everybody knew the city was still on fire. We'd seen the smoke from Beacon Hill.

She hadn’t stirred in spite of my calling. She lay senseless, a gossamer net of light brown hair clinging to her forehead. Her puff-sleeved dress was a dusty mid-blue, the color of the endpapers in the board books of my childhood. No coat or cardigan, despite it being the first day of December. Just a grimy white blanket tangled round her legs, the kind mothers wrapped their babies in, a special knit honeycombed with little holes.

I shook her small round shoulder. "Wake up, little one. Wake up."

Her thumb fell out of her mouth, but she didn't open her eyes. I stroked back her hair. Her skin was warm and slightly damp. Her tongue was ticking against the roof of her mouth. Thumb or no thumb, she was still sucking.

Suppose she started crying when I woke her? I had no great experience with tearful children. Perhaps I should simply carry her into the village hall, and never mind if she was asleep. I took off my new brooch, a silver bar with a pearl, and put it in my pocket. I didn't want it to scrape the child's face.

I slid my hands against her hot sides, into her hotter armpits, and pulled her toward me. She was amazingly solid, made of denser stuff than the rest of the world. I got one arm round her back and the other under her bottom, and hoisted her up. Her head rocked back as far as it could go, forward again to bump against my collarbone. Then her whole body gave a series of jerks, as if a faulty electrical current was running through her. Perhaps she'd been hit on the head during the air raid. I should get her to the doctor.

The dirty blanket fell down over my feet and I kicked it away and walked with a strange swinging tread down the aisle of the bus. You had to walk this way, I realized, with a child in your arms. There was a powerful odor of Jeyes Fluid in the bus but she smelled warm, salty, of new-baked bread.

Deirdre Harper came out of the village hall, forearms red to the elbow and dripping suds.

"Deirdre, is anyone missing a girl?"

She wiped her hands on her apron and delved in the pocket to produce a single wrinkled cigarette. "You're having me on, Mrs. Parr. Now I've seen it all. They can't even remember their own kiddies."

"I'm sure it's not like that. Everyone's in shock . . ."

Deirdre lit up and exhaled smoke with a wide, down-curving smile of contempt. "In a funk, more like. Funk is all this is, you know. Look at them, scarpering on the buses instead of staying put in their shelters."

I didn't point out that not everyone in Southampton had shelters. Deirdre had lost her son at the beginning of the war, in the sea off the coast of Norway; she no longer cared what she said, and nobody took her to task.

"They've got tea, anyway," I said.

"Yes, the stockpile we were saving for the Christmas Carols." She regarded the child sourly. "Your Mr. Parr will find that mother of hers. Trained for this, isn't he. Billeting officer and all."

"Yes. I should go in, Deirdre."

Just then she sighed, and suddenly her eyes filled. "Christ, poor bloody Southampton. Fifteen mile away, and such a glow off the clouds last night, it damn near lit me home."

I made my way into the village hall, carrying the child through the crowd of bedraggled, bewildered, noisy people, edging past overturned chairs and youngsters sliding through puddles of spilled tea. "Whose is this little girl?" I called out. "Has anyone seen her mother?" Nobody replied. I pushed onward past a squirming terrier, a camp of sleeping babies wedged among baskets and coats, a gang of disheveled old men making free with a hip flask. "Is anyone looking for this child?" I called, louder this time.

"Where are we, doll?" said one of the old men.

"Upton," I told him. "The village of Upton. Do you know this little girl?"

He shook his head. An odd smell was coming off his coat, a reek of something burned. I moved away but the smell remained in my nostrils. I glanced up at the high windows of the hall and saw that the light was fading fast. We didn't have long until blackout.

Halfway down the hall I found Mrs. Daventry and Miss Legg. Two pillars of our little community, they were standing by a table and picking hopelessly at the knot on a bale of blankets. I hitched my burden higher with one hand-astonishingly, she had not stirred-and with the other I grasped one loop of the knotted rope and pried it loose.

"Ellen has such strong fingers," Mrs. Daventry said to Miss Legg.

"She's so practical," Miss Legg said to Mrs. Daventry.

"I simply know where to pull," I told them.

They looked at me silently.

"Have you seen a woman-" I began, but just then the wind rattled the tin roof. A small boy in the corner screamed, cowering like a hen when the hawk goes over. Other children joined him, and then everyone broke out into wordless wails and cries of fright. "I must find Mr. Parr," I told the ladies, and made my way toward the back of the hall. I could hear Selwyn speaking, his true tenor that carried through the hubbub. Such a good singer my husband was, a merry singer. I followed his voice until the crowd parted at last to reveal him bending over a middle-aged couple huddled on their chairs. "Are you hurt?" he was asking them.

"Selwyn!" I felt breathless, as if I had run a long way.

"Ellen, darling." He straightened up with a smile. "Where are you taking this young person?"

I twisted my neck away from the child's hot face. "She was asleep in the back of the bus, all alone. I can't find her mother."

His eyes widened. "She was left on the bus?"

"Yes." I stared around the room. "Selwyn, what are we going to do with all these people? Another busload and we'll run out of tea, and then it'll be pandemonium. And what about the blackout?"

"It will not be pandemonium." He chuckled. "The Scouts are coming to put up the blackout curtains. And we've got blankets for the men. The women and children we'll take into the village. Colonel Daventry's bringing his cart." He scratched his head, disordering his fine sandy hair. "They'll be on the floors, but it's the best we can do. I can't find an empty bed in Upton."

"I smelled something awful," I said. "Something charred. I don't know what it was." To my dismay, tears started to sting my eyes.

"Come now, sweetheart." Selwyn squeezed my arm. "Chin up. Try that lady over there on the camp bed. She's completely collapsed." He pointed with his pen. "I heard her saying, 'Daphne, Daphne.'"

I stared up at him.

"This child may be she." His voice was patient. "Daphne."

The woman lay rigid, her eyes flicking like a metronome from side to side. ÒDaphne,Ó she declared.

I kneeled down beside her, cradling the child on my lap to let the woman see her face. "Madam, is this Daphne? Is this your daughter?"

Her eyes flicked to and fro. They seemed to glance at the girl. "Daphne."

"That ain't Daphne," said a voice behind me. "Daphne's her Siamese cat. This lady's Mrs. Irene Cartledge and she was right as rain when we got off the bus. We're waiting for your doctor to come and have a look at her."

I turned to the speaker. She was sitting on the floor like me, her huge, pallid bare knees pressed together, one of her eyes half-closed under a swelling purple bruise. "I'm Mrs. Berrow, Phyl Berrow."

"My name's Ellen Parr. Do you need a compress for that poor eye, Mrs. Berrow? I'm sure we can rustle something up."

"No, dear. Shock or what, it don't hurt. Parr," she repeated. "Your dad's got a hell of a job to billet us all."

I managed to smile. "Mr. Parr's my husband." I thought of my pearl brooch, and felt a little swell of pride. "It's our first wedding anniversary today."

"Oh, lor. What a way to spend it." She looked me up and down. "Ain't he the lucky one."

"Actually, Mrs. Berrow, I count myself extremely lucky."

A friendly glint came to her eye. "Right you are, dear." She shuffled closer. "Let's have a look at the kiddy."

Once again I smoothed back the light hair from the child's face. She was rosy, disdainful in sleep, eyebrows raised and lips turned down. The piped seam of the bus seat had made a darker pink crease in the pink of her cheek.

"Wake her up, dear."

"She won't wake. And she went very jerky earlier. I'm frightened she might have damage to her brain."

"Bless you." Mrs. Berrow revealed five sound teeth in a slot of black. "They all do that. Sleep through the Second Coming at this age. Give her here."

She stood the child on her feet, blew into her face, and let go. My own arms leaped out but Mrs. Berrow got there first and held her fast, blew again, let go once more. The blowing ruffled the child's eyelashes and she squeezed her eyelids shut. Then she wobbled, righted herself, and sniffed in a sharp breath.

"Here, lovey." Mrs. Berrow grasped the small chubby arms. "Come, open those peepers."

The little girl did so, suddenly, wide open and startled. Her eyes were clear hazel, almost the same color as her hair.

"What's your name, dear?"

"Daphne," said the woman on the camp bed.

"Pack it in, Irene." Mrs. Berrow fixed the child with her one good eye. "Let me see. Might you be called Mavis Davis?"

The child gave a slow blink. Still waking.

"Or Sally O'Malley?"

She shook her head.

"Or Nancy Fancy? Help me, dearie, I'm running out of names," said Mrs. Berrow, and the little girl spoke.

"I'm not Nancy Fancy! I'm Pamela! Where's Mummy?"

Her voice was clear, piping, like a twig peeled of its bark. She was well-spoken.

"Pamela." Mrs. Berrow patted her cheek. "Ain't that a pretty name."

"Where's my mummy?" Pamela spun around. "Mummy? Where's Mummy?" Her voice wavered. She pulled away from Mrs. Berrow. "I can't see Mummy."

Ten seconds had passed, a small time but enough for her mouth to quiver and large tears to spill down her cheeks. "Pamela." I clasped her hand. "We think Mummy got off the bus and left you there by mistake, so we need to find her. What does Mummy look like?"

"Beautiful." She scrubbed at her face. "But she wasn't on my bus, she was on the one before."

"Her ma got on a different bus?" Mrs. Berrow started to heave herself to her feet. "How the hell did she manage that?"

"The ladies said!" Pamela stood on tiptoes to peer into the crowd-so futile, in a person barely a yard high. "They said I should get on the bus with them and then I'd find her."

I gasped. "What ladies?"

"The ladies," she said impatiently, as if it were obvious. "They saw me. The bus came." Her face crumpled. "They said if I got on, we'd find Mummy." Her lungs began to pump out sobs and her arms went up and down, striking her sides. I gathered her to me once again and lifted her up. She wept and thrashed in my arms as I took her over to one side of the hall, set her down on a huge unlit radiator. "What's your other name, Pamela?"

"Jane," she sobbed.

"No, your family name." But she was crying too hard. I stood up straight. "Does anyone know this little girl?" I called out. "Her name's Pamela. Pamela Jane." Heads turned and shook, and I saw women gathering their children together, and a bustle in the doorway-people from the village, arriving to take them away. The tide was running out. "Pamela Jane! Did anyone travel with this child?"

At last. A woman was emerging from the throng, incongruously elegant in a fur coat and maroon toque, making her way to us. "I was with this little one," she said when she arrived at my side. "I helped her on board the bus."

"Didn't you hear me call earlier?" I spoke flatly out of exasperation. If she thought I was rude, she made no sign.

"I might have been in the lavs, dear." She pointed to another, large woman. "That lady said the little girl's mother was on the bus before ours. So we took her on the next one, with us." The large woman was already approaching, buttoning her cardigan over her bust. "Isn't that right?" asked the lady wearing the toque. "You saw her ma on the first bus?"

"That's what the little one said." The second woman's voice was a creaky whisper. "Pardon me. Smoke's got my throat."

Pamela gasped. "You said Mummy was on the other bus. But she wasn't!"

"No, you was saying it, sweetheart," the woman croaked, her eyes full of alarm.

"No!" Pamela was frantic. "I just thought she was!"

"So I said, we'll catch up with Mummy, sweetie, and I took her on board." The large woman put her hands to her cheeks. "Now I think about it, how could any woman get on a blooming bus without her little daughter? But the little one was insistent!"

"I wasn't 'sistent!" Pamela continued her choleric weeping. "I saw her head but I didn't know it was her head! You said!"

The elegant woman put her hand to her toque. "And we just got off the bus leaving her there." She turned to me. "I'm so sorry. We was bombed, dear. I can't find any other excuse."

Now they were both crying. I heard Selwyn calling. "Ladies-ladies, please come and join this group."

"You both need to leave," I said. "I'll find you if I have to."

Excerpted from We Must Be Brave by Frances Liardet. Copyright © 2019 by Frances Liardet. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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About the Author

Frances Liardet has an MA in Creative Writing from the University of East Anglia and studied Arabic at Oxford before traveling to Cairo, where she translated modern Egyptian novelists including Nobel-prize winner Naguib Mahfouz and Edwar al-Kharrat. She currently lives in Somerset, England, and helps to run a summer writing session called Bootcamp, where local writers get together to share work and constructive criticism. Her first novel, The Game, won a Betty Trask Award.

Spotlight: Last Boat Out of Shanghai: The Epic Story of the Chinese Who Fled Mao's Revolution by Helen Zia

The dramatic real life stories of four young people caught up in the mass exodus of Shanghai in the wake of China’s 1949 Communist revolution—aheartrending precursor to the struggles faced by emigrants today. 

Shanghai has historically been China’s jewel, its richest, most modern and westernized city. The bustling metropolis was home to sophisticated intellectuals, entrepreneurs, and a thriving middle class when Mao’s proletarian revolution emerged victorious from the long civil war. Terrified of the horrors the Communists would wreak upon their lives, citizens of Shanghai who could afford to fled in every direction. Seventy years later, members of the last generation to fully recall this massive exodus have revealed their stories to Chinese American journalist Helen Zia, who interviewed hundreds of exiles about their journey through one of the most tumultuous events of the twentieth century. From these moving accounts, Zia weaves together the stories of four young Shanghai residents who wrestled with the decision to abandon everything for an uncertain life as refugees in Hong Kong, Taiwan, and the United States.

Benny, who as a teenager became the unwilling heir to his father’s dark wartime legacy, must decide either to escape to Hong Kong or navigate the intricacies of a newly Communist China. The resolute Annuo, forced to flee her home with her father, a defeated Nationalist official, becomes an unwelcome exile in Taiwan. The financially strapped Ho fights deportation from the U.S. in order to continue his studies while his family struggles at home. And Bing, given away by her poor parents, faces the prospect of a new life among strangers in America. The lives of these men and women are marvelously portrayed, revealing the dignity and triumph of personal survival.

Herself the daughter of immigrants from China, Zia is uniquely equipped to explain how crises like the Shanghai transition affect children and their families, students and their futures, and, ultimately, the way we see ourselves and those around us. Last Boat Out of Shanghai brings a poignant personal angle to the experiences of refugees then and, by extension, today.

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About the Author

Helen Zia is the author of Asian American Dreams: The Emergence of an American People, a finalist for the Kiriyama Pacific Rim Book Prize (Bill Clinton referred to the book in two separate Rose Garden speeches). Zia is the co-author, with Wen Ho Lee, of My Country Versus Me: The First-Hand Account by the Los Alamos Scientist Who Was Falsely Accused of Being a Spy. She is also a former executive editor of Ms. magazine. A Fulbright Scholar, Zia first visited China in 1972, just after President Nixon’s historic trip. A graduate of Princeton University, she holds an honorary doctor of laws degree from the City University of New York School of Law and lives in the San Francisco Bay Area.

Spotlight: The Silent Patient by Alex Michaelides

The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.

Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.

Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

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About the Author

Alex Michaelides was born in Cyprus in 1977 to a Greek father and English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. He wrote the film The Devil You Know (2013) starring Rosamund Pike and co-wrote The Brits are Coming (2018), starring Uma Thurman, Tim Roth, Parker Posey and Sofia Vergara. THE SILENT PATIENT is his first novel.

Spotlight: The End of Loneliness by Benedict Wells and Translated by Charlotte Collins

Jules Moreau’s childhood is shattered after the sudden death of his parents. Enrolled in boarding school where he and his siblings, Marty and Liz, are forced to live apart, the once vivacious and fearless Jules retreats inward, preferring to live within his memories – until he meets Alva, a kindred soul caught in her own grief. Fifteen years pass and the siblings remain strangers to one another, bound by tragedy and struggling to recover the family they once were. Jules, still adrift, is anchored only by his desires to be a writer and to reunite with Alva, who turned her back on their friendship on the precipice of it becoming more. But, just as it seems they can make amends for time wasted, invisible forces – whether fate or chance – intervene. 

            A kaleidoscopic family saga told through the fractured lives of the three Moreau siblings, alongside a faltering, recovering love story, The End of Loneliness is a stunning meditation on the power of our memories, of what can be lost and what can never be let go. With inimitable compassion and luminous, affecting prose, Benedict Wells contends with what it means to find a way through life, while never giving up hope you will find someone to go with you.

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About the Author

Benedict Wells was born in 1984 in Munich. At the age of six, he started his journey through three Bavarian boarding schools. Upon graduating, he moved to Berlin, where he dedicated his time to writing. In 2016 he won the European Prize for Literature for his third novel, The End of Loneliness, which remained on the German bestseller list for over a year. After years of living in Barcelona, Wells has recently returned to Berlin.