Spotlight: One Kind Hero by Christine DePetrillo

(Heart of a Wounded Hero)
Publication date: July 14th 2022
Genres: Adult, Contemporary, Romance

Synopsis:

What do you do when your life plan goes up in flames?

Army sniper Reid Colborn has nothing left. His last mission was technically a success. Enemy hit. Boy rescued. Day saved. Getting trapped in a burning building, however, wasn’t part of the plan. Now Reid doesn’t have a steady shooting arm, and his military career is over. Heading back to his hometown of Maplehaven, Vermont is not the next target he’d hoped for, but he’s out of choices.

Until architect Valerie Bellerose gives him another option.

When Valerie sees Reid, every detail of their one night together as teens nearly ten years ago comes flooding back. Not that the memory had ever died. Reid had given her something that had made it impossible to forget him. Now that he’s back, can they have a second chance to hit their mark?

Is one kind hero high enough caliber to build the family they’ve always wanted?

One Kind Hero is a second-chance, small-town, steamy contemporary romance novella with a wounded military hero searching for what comes next after losing everything. For more romances set in Maplehaven, check out the One Kind Deed Series also by Christine DePetrillo.

The Heart of the Wounded Hero series was created to pay tribute to and raise awareness of our wounded heroes. Each of the over eighty authors involved have contributed time, money, and stories to the cause. These love stories are inspiring and uplifting, showing the sacrifice of our veterans but also giving them the happily ever after they deserve.

By increasing awareness through our books, we believe we can in a small part help the wounded heroes that have sacrificed so much. Thank you for reading.

Excerpt

Valerie

The shed is only a few yards away as we exit my parents’ house. Twilight has fallen, crickets putting on their concert from the tall grass that needs mowing. The garden of night-blooming flowers I’ve planted around the perimeter of the shed is taking on that ethereal glow as the white petals open. The silvery leaves of some of the plants catch the fading light just right. An owl hoots from the woods and normally that would pull me in that direction. I love owls and a chance to see one always interests me.

Except tonight. 

Tonight, I’ve got something—someone—far more interesting walking beside me toward the shed. 

“Your parents are great,” Reid says. “And your mom really knows how to charm a dog with leftover chicken. Akira couldn’t have cared less that I left the house.”

We’re standing close enough that our arms brush against each other’s once in a while as we near the shed. Each touch threatens to light me on fire. I’ve dated here and there after Ryan was born, but none of those guys ignited me the way Reid did on our only night together. 

The way he is right now. 

“I’m glad you like my parents,” I say. “Pretty much everyone does.”

“Your brother seems nice too, but he doesn’t approve of me.” Reid turns to face me after we reach the shed. 

“He just doesn’t know you,” I say. “He’ll come around.” I hope that’s true. Den has his troubles, but they’re troubles I caused him to have. “When Ryan was nearly ready to make his grand entrance into the world, there was a complication. There was bleeding. I passed out.” I gather my hair onto my right shoulder and study my shoes for a moment. “I almost died. Almost lost Ryan too. Den found me.” I look up at Reid. “It was traumatic for my brother. That led him to develop unhealthy coping strategies.”

“Like drinking?”

“Bingo.” I draw in a breath. “He’s doing better now though, and as far as you go, he’s just looking out for Ryan and me.”

“I’m glad you and Ryan were okay, and I understand why your brother is protective. I’d be the same.”

“Do you have any siblings?”

“No. It’s just me. My parents passed when I was twelve. I went to live with Uncle Karl after that.”

“There’s so much I don’t know about you,” I start, “but . . .”

“You feel as if you do know me,” Reid finishes. 

“Yeah. How is that possible?”

He shrugs. “Not sure, but I feel the same way.” He closes his hand around my wrist like he’d done earlier today. I like his touch even more after spending time with him this evening. “As soon as I saw you this morning, I was transported back to our night together. I wanted more back then, but we had our different paths to travel.”

My entire body buzzes with desire as I stand, linked with him, in the fading light of the day. “And now?”

He uses his other hand, his scarred one, to hook my hair behind my ear. His hand slides down to hook on my neck, his rough thumb caressing my cheek. 

“Now,” he whispers, taking a step closer, “I still want more.”

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About the Author

Christine DePetrillo can often be found hugging trees, conversing with dragonflies, and walking barefoot through sun-warmed soil. She finds joy in listening to the wind, bathing in moonlight, and breathing in the fragrances of things that bloom. If she had her way, the sky would be the only roof over her head.

Her love of nature seeps into every story she tells. As does her obsession with bearded mountain men who build, often smell like sawdust, and know how to cherish the women they love. Today she writes tales meant to make you laugh, maybe make you sweat, and definitely make you believe in the power of love.

She lives in Vermont with her husband and cat who defend her fiercely from all evils.

Visit her and sign up for her newsletter at www.christinedepetrillo.weebly.com anytime.

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Spotlight: The Night Fisher Elegies by Dean Mayes

Collecting together pieces from over 10 years of writing, "The Night Fisher Elegies" showcases Dean Mayes' literary style across short fiction, ghazal poetry, short form essays and personal reflections. "The Night Fisher Elegies" takes the reader on a journey through love, faith, death, grief, family and dreams, weaving together powerful explorations of humanism, moments of reflection that are tinged with melancholy, and short verses that inhabit the sometimes brutal landscape of self examination. Dean wanders through a palace of memories contained within nostalgic love, experimenting with style, tone and character. He poses questions for the reader to ponder and wrestle with and offers pieces that are designed to evoke and provoke, while others are simply present as meditations to inspire and affirm.

This exciting new publication will be available in digital format for readers on September 1st , 2022.

About the Author

Dean Mayes is an Intensive Care Nurse who has specialised in Neonatal & Paediatric Medicine/Surgery, Complex Head & Neck Surgery & Neurosurgery. As a writer, Dean is fascinated by philosophy and the paranormal, so his stories weave an element of magical realism with deep humanism. His first novel “The Hambledown Dream” was published in 2010 by Central Avenue Publishing and his subsequent novels “Gifts of the Peramangk”, “The Recipient” & “The Artisan Heart” continue his relationship with Central Avenue Publishing. “The Short & The Long — Stories, Verse & Reflections” is published by Hambledown Road Imprints. He grew up near Melbourne, Australia, and now lives in Adelaide with his wife, Emily, his children, Xavier & Lucy, and his writing partner – a 10 year old spaniel named, Sam. Dean loves outdoor cooking, anything to do with Star Wars and (insanely) long-form podcasts.

Spotlight: A History of Delusions: The Glass King, a Substitute Husband and a Walking Corpse by Victoria Shepherd

"The extraordinary ways the brain can misfire

  • The King of France – thinking he was made of glass – was terrified he might shatter…and he wasn’t alone.

  • After the Emperor met his end at Waterloo, an epidemic of Napoleons piled into France’s asylums.

  • Throughout the nineteenth century, dozens of middle-aged women tried to convince their physicians that they were, in fact, dead.

    For centuries we’ve dismissed delusions as something for doctors to sort out behind locked doors. But delusions are more than just bizarre quirks – they hold the key to collective anxieties and traumas.
    In this groundbreaking history, Victoria Shepherd uncovers stories of delusions from medieval times to the present day and implores us to identify reason in apparent madness." 

Excerpt

The 1340s, Rouen, northern France, behind a wonky timbered building near the river Seine, at the back of the rear courtyard, a furnace glows fierce orange. A gaffer stokes; he needs it as hot as it can get. He is working on something completely new. It will make his family rich. He is having one last go and he wipes his sweaty brow across the crook of his arm, then shovels out another measure of sand from the bucket into the crucible, and then a measure of ash. He mixes the batch together and pushes it into

the roaring furnace. Now he waits for the mixture to heat. The batch turns pale. The temperature’s high enough for the reaction. He takes his blowpipe to the furnace. Then he begins gathering up the molten substance like toffee, layer upon layer, until he has an orange globe on the end of the pipe. He puts his mouth to the pipe and blows hard. The globe inflates. He thrusts it back in the fire and starts to spin, watching as centrifugal forces push it out into a flat disk bullion. Now he carefully detaches the bullion

from the blowpipe. In the middle of the disc, a ‘bullseye’ marks the point where the pipe joined the gather. Around the bullseye the material is thinner and can be cut into diamonds for use in windows. That’s the stuff he’s interested in. It looks good so far, but he’s had his hopes up before. He watches it cool. The sand begins to lose its crystalline structure and gain an entirely new one – on a molecular level somewhere between a liquid and a solid. It will be hard like the more primitive version, but, if he can

perfect it, there will be a key difference… He steadies his hand and lifts it up to inspect. There’s the workshops’ crooked roofline clean against the sky; the workbench; his shoes. No need to squint, there’s no milky blur. It’s clear. It will bring a breathtaking new sharpness to windows. People may even want it to magnify objects. The gentry will love it. They will flock to Rouen and buy as much of it as he can make. He pauses. It’s struck him that this will change more than the weight of his purse. It will transform the way people see the world. 

The introduction of this innovative product, manufactured from what seemed an almost alchemical process – sand transformed through fire into something fragile and transparent – did have a profound impact on some parts of French society. The wealthy and noble classes enjoyed this new ‘crown’ glass in their own homes and they carried it carefully, tapped it gingerly, looked through it with wonder, saw what happened if dropped. 

There’s a twist. The effect was stranger than the Rouen glassmaker could possibly have imagined. Crown glass did indeed alter the way people saw the world, but it wasn’t by virtue of the clarity of the view through the new windows. The transformative power of this material, its alchemy, was continuing to work on the people who had brought it into their homes. It was infiltrating them, influencing them at a deeper level. It was changing how they saw themselves. A few started to believe the chemical reaction was at work within their own body. Something was happening to their legs, their arms, their feet… They were turning into glass. Bits of them were now made out of it; translucent, brittle, fragile. Here was a startling example of how external processes might affect inner processes and create a delusion to moderate a person’s relationship with the world. 

A fifteenth-century French king, Charles VI, made the phenomenon famous. He underwent his own glassy metamorphosis in front of alarmed courtiers. Pope Pius II recorded in his chronicles that Charles had iron rods sewn into his clothes to prevent his glass bones breaking if he touched someone, and he is reported to have wrapped himself in blankets to protect against the danger of shattered buttocks. We can picture him locked in the attrition of the Hundred Years War, yet privately consumed with anxiety about any hard surfaces which might come into contact with his rear end and frantically sourcing prophylactic soft furnishings. News of his belief leaked out and he offered the courts of Europe a good laugh, but it was nervous laughter. He had set off a chain reaction of Glass Men across the continent. 

‘Glass delusion’, as the condition became known, is just one of the strange and compelling psychological phenomena that the history of delusions offers up to us.

The content and context of delusions change, era to era, person to person, over the centuries but common features remain. Delusions carry painfully insistent demands, and, for the person experiencing the delusion, the stakes are invariably high. They are often life and death. Charles VI orders his associates to back off – he will smash into pieces if they touch him. It’s an absurd premise, but beneath the absurdity the perceived jeopardy is painfully real. If you pay closer attention to each of these historical accounts, you can pick up a series of urgent communiqués. Each story then takes on a quality of a psychological thriller for the audience. What does this person need us to know? Can we understand? 

Cases of delusion often have the quality of a parable or fairy tale; of ‘Once upon a time…’ They are peculiar, cryptic, their meanings encoded. As with fairy tales, the themes inside these little stories are perennial: God, money, love, power, the reversal of fortune, death. Delusions are an imaginative space and people experiencing them appear to go through the looking glass into alternative universes, like Lewis Carroll’s Alice climbing into Wonderland. When you pay closer attention to accounts of delusion from the past, however, you sense that there is something else at work. A delusion begins to seem more everyday and pragmatic – a psychological survival technique in action. Delusions may look like a retreat into the fantastical but in a key sense the opposite is true. These are not flights of fancy away from reality; they are a strategy to deal with reality. Unlike fairy tales, delusions are for grown-ups.

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About the Author

Victoria Shepherd conceived and produced the ten-part series A History of Delusions for BBC Radio 4. She has produced scores of documentaries and major strands for BBC Radio 4. She holds an MA in creative writing from the University of East Anglia.

Cover Reveal: Two for the Show by Skye Warren

(One for the Money #2)
Published by: Dangerous Press
Publication date: August 16th 2022
Genres: Adult, Contemporary, Romance

Synopsis:

Pregnant. Alone. And heartbroken. The only thing Eva Morelli knows for sure is that she wants this baby. She learned how to depend only on herself a long time ago.

The father, however? He made his position on marriage and children very clear.

Finn Hughes has fought his fate for years, but it’s finally catching up to him. Duty took away his choices. How can he hope for forever? He already knows how this ends.

There’s only one thing worse than having a family.

Losing them.

"I was hooked from page one. With steam and grit, Warren captures your attention and has you begging for the next chapter. Book gold!” — USA Today bestselling author Adriana Locke for Private Property

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About the Author

Skye Warren is the New York Times bestselling author of dangerous romance. Her books have sold over one million copies. She makes her home in Texas with her loving family, sweet dogs, and evil cat.

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Spotlight: The Swift and the Harrier by Minette Walters

A sweeping historical adventure set during one of the most turbulent periods of British history—featuring a heroine you’ll never forget ... 

Dorset, 1642. 

When bloody civil war breaks out between the king and Parliament, families and communities across England are riven by different allegiances. 

A rare few choose neutrality. 

One such is Jayne Swift, a Dorset physician from a Royalist family, who offers her services to both sides in the conflict. Through her dedication to treating the sick and wounded, regardless of belief, Jayne becomes a witness to the brutality of war and the devastation it wreaks. 

Yet her recurring companion at every event is a man she should despise because he embraces civil war as the means to an end. She knows him as William Harrier, but is ignorant about every other aspect of his life. His past is a mystery and his future uncertain. 

The Swift and the Harrier is a sweeping tale of adventure and loss, sacrifice and love, with a unique and unforgettable heroine at its heart. 

Excerpt

Jayne followed William’s instruction to walk in his shadow and hold firmly to the strap of her satchel, which he wore across his shoulder. He was some thirty years of age, strongly built and of a good height, and seemed to have little trouble forging a path between the oncoming crowd and the houses which fronted the road. Several times, he nodded to individual passersby and received an answering nod in return, but none questioned his purpose in taking the opposite direction to them. When they reached High East Street, he turned to the left instead of attempting to push through the press of people to their right and drew Jayne into an alcove formed by the narrow projecting porchway of a bakery. The doors were closed, but there was enough room for them both to shelter from the teeming mass that thronged the road.

“They’re waiting for the priests to be brought from the jail,” he murmured. “It won’t be long before the cart appears, so I suggest we do the same. The crowd will follow or disperse once they’ve hurled their insults.”

“I’m sorry to have put you to this trouble, William. I should have accepted your mistress’s invitation to remain with her for an hour.”

“Why didn’t you?”

Jayne gave a wry smile. “I found her a little alarming. She assumed I knew who she was, but I don’t.”

“Lady Alice Stickland, widow of Sir Francis Stickland. She took up residence in Dorchester when her son inherited his father’s estates and title two years ago. Young Sir Francis is even less tolerant of her waywardness than her husband was.”

Jayne longed to ask what form the waywardness took but didn’t choose to show the same ill-mannered curiosity as his mistress. “Is her brother as tolerant?”

“When he’s in Dorset. He wouldn’t embrace her so readily if she lived in London.”

“Why not?”

The question seemed to amuse him. “He’d lose the King’s patronage if he acknowledged a sister as outspoken as Lady Alice. She makes no secret of her support for Parliament.”

Jayne kept her voice low. “Yet she spoke critically of Samuel Morecott, and there’s no more ardent supporter of Parliament than he.”

“It’s the only belief they have in common. Nothing else about him attracts her.” He looked above the heads of the people in front of them. “The priests approach. You should turn away if you don’t wish to see their anguish.”

Jayne questioned afterwards if it was stubbornness that made her reject his advice. He was overfamiliar for a servant, towards both his mistress and herself, and she was inclined to recite her own lineage in order to put him in his place; but the opportunity never arose, for her voice would have been drowned by the raucous shouts of the crowd. There was no slur too bad to cast at the thin, frail-looking men who stood with their hands tied in front of them in the back of a horse-drawn cart. Children chanted “papist pigs” and flung cow dung; adults favored “spies,” “traitors,” or “Devil’s spawn” and stepped forward to launch mouthfuls of spittle.

One of the priests, the younger, was so frightened he was visibly shaking, and the other took his tethered hands in his own to give him strength. Jayne guessed the older to be close to sixty and wondered if it was age or faith that was allowing him to face his execution so calmly. She saw his mouth move and fancied he was urging his friend to trust in God’s love and mercy, but if so, his words fell on deaf ears. The younger man shook his head and gave way to sobbing.

William spoke into her ear. “He’ll recant at the foot of the gallows. The Sheriff must hope Hugh Green remains steadfast or the crowd will become ungovernable.”

“Is that the name of the older priest?”

“It is. He was confessor to Lady Arundell before his arrest. She wrote to my mistress, begging her to go to the prison and assure Father Green of her continued prayers and devotion, because she wasn’t strong enough to make the journey herself. Lady Alice visited him several times during the months he was held.”

Jayne thought of how anti-Catholic feeling in the country had grown with the rise of the Puritan faction in Parliament and wondered that Lady Alice was so willing to show kindness to a priest. “Was she criticized for it?”

“If she was, she paid no heed. She cares nothing for what others think as long as she believes that what she is doing is right.”

Jayne watched the cart turn onto High East Street and head towards Icen Way. “Will she fight against her brother if war comes?”

“In as much as they’ll be on opposing sides.”

“And her son?”

“The same. He, too, is for the King.”

“I find that sad.”

“Do you not have the same dilemma in your own family, Mistress Swift? Your cousin’s husband is for Parliament, but I’ve heard that your father, Sir Henry, is for the King.”

His prediction that the crowd would thin once the priests were out of sight was correct. Some crept back to their homes or shops, but most followed the cart, their jeers echoing back along Icen Way as Jayne said, “You and your mistress seem to know a lot about me, William. How so?”

“Sir John spoke of you at length. The conversation piqued Lady Alice’s interest and she asked me to discover what I could about you.” He gave a low laugh. “I doubt she expected to make your acquaintance so easily, however. One of my tasks was to try to arrange a meeting.”

“To what end?”

“You refused to align yourself with Sir John and the Royalist cause, and you treat the rural poor for free. Milady hopes that means you’re on the side of Parliament and the people.”

Jayne gave a surprised laugh. “Then I’ll disappoint her as badly as I disappointed her brother. I support men and women who seek an end to division, not those who look to make it worse.”

“Do any such exist?”

“I know of one: the doctor who trained me. He makes no distinction between political or religious beliefs and requires all who learn with him to sign a pledge to treat the sick to the best of their ability regardless of circumstance, status, or conviction. Were the King and Parliament as tolerant of difference, there would be no talk of war.”

William eyed her cynically. “You’re a dreamer, Mistress Swift. War will come whether you desire it or not, and neither side will accept pleas of neutrality to let you pass. Even to reach your cousin’s house today, you’ve had to accept my help and dress as a Puritan. What would you have said if someone had challenged you?”

“The same as I told your mistress: I have urgent business at Samuel Morecott’s house.” She held out her hand for her satchel. “I’m quite able to gain entry on my own, William, and you will serve Lady Alice better if you follow the cart and bear witness to Hugh Green’s martyrdom. She must have sympathy for him, or she wouldn’t have visited him several times. He will die well, I think, and she will want to hear that from someone she trusts.”

He passed her the bag. “Indeed. When your business at Mister Morecott’s house is concluded—with good health for the child, I hope—will you do Milady the kindness of returning her cloak and bonnet? Her son starves her of money, and she is not so rich that she can afford to replace them.”

“I can give them to you now. The road is almost bare of people, and it will take me but half a minute to reach Samuel’s house.”

But he was already several paces away, his ears firmly closed, seemingly intent on obliging her to return for a second visit with his formidable mistress.

As Jayne approached the Morecott house, she saw that every shutter was closed, even those at the upstairs windows. On another day, she would have assumed the house to be empty, but she knew from Ruth’s letter that this couldn’t be the case. Her cousin wouldn’t have begged her on paper stained with tears to hasten to High East Street if she and her son were in residence elsewhere.

Jayne halted before the door, wondering what to do. It was two months since Samuel had banished her permanently from his house after she’d questioned one of his more foolish interpretations of a biblical text, and the servants would refuse to admit her on that basis alone, with or without orders to keep all visitors away. Preferring guile over force, she moved three houses down. “Doctor Spencer has sent me with a delivery of medicine for Mister Morecott’s son,” she told the footman who answered her knock. “My instructions are to go to the rear of the building and place it in the hands of a servant so that the little master isn’t disturbed by noise. Can you tell me how to find the entrance to the kitchen quarters?”

He pointed to an alleyway some fifty yards farther on. “Walk to the cross path, turn left and count off six doors,” he said. “Give the medicine to the cook. She’s the only one with the courage to hand it to Mistress Morecott of her own accord. The rest are too afeared of their master to act without his instruction.”

Jayne produced a shy smile. “Would it be possible for you to accompany me, sir? I’m sure the cook will answer more willingly to you than a stranger. Doctor Spencer was most insistent that the child start his medicine this morning. He would have come himself were it not for the executions.”

The footman eyed her for a moment, perhaps trying to assess how truthful she was being, and then, with an abrupt nod, closed the door behind him and led her towards the alleyway. Mention of the executions had loosened his tongue, and he regaled Jayne with complaints that service to another meant he was unable to attend. How was this fair, he asked, when high days and holidays were so few that all men should be allowed to enjoy them?

Jayne was relieved that he didn’t expect anything more than sympathetic noises by way of answer and that his impatient steps brought them quickly to the house they wanted. He knocked loudly, calling out his name, and the door cracked open a couple of feet to reveal a timorous maid holding a finger to her lips. With the shutters at the window closed, the entire kitchen was in darkness, although light from the doorway reflected off the white aprons and bonnets of other women in the room. All were whispering “shush” as if their lives depended on it.

With a murmured thank you to the footman, Jayne stepped around him and pushed her way inside before the maid could close the door again. “Don’t be alarmed,” she said, picking out faces in the gloom. “Some of you know me from previous visits. I am Jayne Swift, cousin to your mistress, and have come at her request. Only she and I will be blamed for my presence here.”

“The master banned you, ma’am.”

“He did indeed,” said Jayne, shooing the barely seen women aside and moving firmly towards the door that led from the kitchen to the rest of the house. “And when he returns, you may tell him I used deceit to gain entry.”

“Have you come to help little Isaac, mistress?” asked another voice.

“I have.”

“Then you’ll need our prayers, ma’am.”

Jayne opened the door to the corridor. “I’d rather have your assistance than your prayers,” she answered. “Will one of you show me to Isaac’s chamber?”

It seemed not. The request was met with silence, as if the household felt they’d already transgressed enough.

From The Swift and the Harrier by Minette Walters. Used with the permission of the publisher, Blackstone Publishing. Copyright ©2022 by Minette Walters.

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About the Author

Minette Walters is one of the world’s bestselling crime writers and has sold over twenty-five million copies of her books worldwide. She has won the CWA John Creasey Award, the Edgar Allan Poe Award, and two CWA Gold Daggers. The Swift and the Harrier is her third historical novel. She lives in Dorset with her husband. 

Spotlight: Fall From Grace by Tori Fox

Genre: Contemporary Romance 

About Fall From Grace

I risked everything to write the story that could change my life. And it did, just not in the way I hoped. I was fired.

I went to my brother with my tail between my legs begging him for a job.

He came through and managed to get me one… working for his best friend.

But the most embarrassing thing, he happened to be my one night stand from a week ago and now enemy number one in my eyes.

We push each other's buttons every day in every way.

Except, the more time I spend with him, the more I let my walls down.

I’ve always known, some things are too good to be true.

And Carson Taylor is one of them.

She’s my best friend's little sister, Grace Prescott.

She is beyond off limits. And now, she works for me.

She’s a constant tease to me with those sexy outfits and bee stung lips.

But her teasing ends up turning into late night rendezvous and dirty secrets.

She’s hiding things from me. And it just might be my downfall.

I could lose everything again. 

My pride, my job, my best friend.

Is this my not so eloquent fall from grace?

Excerpt

I smile at her. “Let me guess, you have an ex who was a lawyer or a politician, maybe both.” She goes to cut me off but I continue talking. “And acted like some big shot. Was an asshole. Made you promises all the time but was too focused on his own career he forgot about you. And you thought you could put up with it but then the sex was lackluster, boring, you needed to get yourself off too many times to count while he lay snoring next to you after he got himself off inside you.”

She bites her lip hard then takes a large sip of her vodka and soda.

“And let me guess, his dick was small too.”

“It wouldn’t have mattered if his dick was big or small. He didn’t know how to use it.”

I smile as I watch her crack.

“Motherfucker.”

I run my finger along the edge of my glass as I hear Mason snickering next to me. “Sounds like it’s not really a lawyer or a politician problem. Sounds more like an asshole problem. Like someone who couldn’t read you, couldn’t understand what you wanted, what you needed.”

“And you do?”

I lean in a brush a piece of loose hair that was framing her face behind her ear. “I saw the way you were talking to that guy at the bar earlier. He wasn’t forceful enough for you. Your body was lax, your stance bored. You want someone to dominate you. You look like the type of woman who will fight back with every demand made. Yet with each second that passes your pussy grows wetter. Your thighs clenching, your body craving my touch. Yet I keep my distance. Each time I lean to grab my drink you hope I brush your arm. Feel the caress of my breath across your cheek. The need grows in you as I keep my distance. Your eyes are dilated anticipating the slightest touch. You want nothing more than for me to touch you. Drag my fingers gently down the side of your cheek. Then grab you, pulling you close, devouring that mouth. Pulling on your hair, gripping your hips hard enough to bruise.” I pull away and see the flush on her chest, the increased rate of her breathing. “But you’ll never admit that. You’re too strong to admit you would submit to me every damn time.”

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About the Author

Tori Fox is the author of romantic suspense and contemporary romance with a little bit of angst and a whole lot of sexy. When she isn’t writing, you can find her listening to true crime podcasts as she tends to her plants or singing along to Taylor Swift as she drinks champagne. Tori lives above the clouds with her husband and dog in the Rocky Mountains.

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