Spotlight: Love on the Edge by Sara McClaflin

Release Date: March 2

AVAILABLE IN KINDLE UNLIMITED

Welcome to the Sexy as Sin series, where badass female athletes don't mind working up a good sweat on or off the field.

Valeria Blaze

The Olympics aren’t just my dream—they’re my obsession. Every jump, every spin, every sacrifice has been for one goal: gold. I don’t drink. I don’t date. And I sure as hell don’t make reckless decisions.

Until him.

Running into Ethan Crosse—the rink’s rugged, maddeningly handsome new maintenance man—wasn’t part of the plan. He’s gruff, complicated, and far too good at making me forget the walls I’ve built to protect myself. One impulsive night should have been enough to get him out of my system.

But now he’s everywhere.

I should be focusing on skating, but the closer we get, the harder it is to keep my walls from crumbling. He’s everything I don’t have time for. But he might be the one thing I can’t let go.

Ethan Crosse

I’ve learned to live for two things: my daughter and my family. When my wife walked out, she left more than a broken marriage—she left bills, responsibility, and the life we’d built together. Taking on a second job at the rink was a way to keep us afloat, even if it meant sleepless nights and long days.

Then I ran into her.

Valeria Blaze is fire and ice all wrapped up in a dangerous package. One night with her wasn’t enough, but I can’t risk letting her into my messy world. Not when she’s focused on something bigger than me. Not when I’m still picking up the pieces of my life.

But the more I try to push her away, the closer we get. Now I’m not sure if I’m ready to risk it all for her—or if I even have a choice.

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Meet Sara McClaflin:

Sara McClaflin, a dedicated author of romance, crafts tales that are not only heart-melting but also delve into the delicate facets of humanity. Having spent the past few years as an avid reader, Sara transitioned from writing book reviews to creating her own narratives. Her passion for romance, in all its diverse forms, shines through as she weaves stories that resonate with readers.

Residing on the vibrant west coast with her husband and beloved dog, Sara McClaflin is surrounded by the inspiration of nature and the love of her family. In her world, there is no such thing as too many books or an overfilled "want to read" list, as each story unfolds new possibilities and adventures.

To find out about Sara McClaflin’s upcoming releases and giveaways, sign up for her newsletter here

For more information on Sara McClaflin and her books visit: https://linktr.ee/saramcclaflin

Connect with Sara McClaflin: hello@authorsaramcclaflin.com

Spotlight: After Us by Amber Hart

Release Date: February 25

AVAILABLE IN KINDLE UNLIMITED

Melissa smiles, flirts, jokes. But she never shows her scars. Eight months after tragedy ripped her from her closest friend, Melissa is struggling. And for some reason, she can't stop thinking about a certain guy and the memory of a single forbidden kiss. 

Javier has scars of his own. Life in the States was supposed to be a new beginning, but a guy obsessed with vengeance has no time for the American dream. To honor his family, Javier does something extremely dangerous. Seeking out the people who can destroy his life is not just risky for him, but for Melissa, too. Because now that Javier has found her again, he doesn't want to let her go.

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Meet Amber Hart

Amber Hart is the author of several romance novels for teens and adults. She lives on the Florida coast with her husband and sons. For more, you can visit her on social media, or her website.

For more information on Amber and her books visit: https://www.amberhartbooks.com/

Connect with Amber Hart: https://www.amberhartbooks.com/contact.html

Spotlight: The Younger Woman by Cate Ray

February 25, 2025

Park Row Paperback

A woman’s confession about her husband to an enigmatic stranger sparks a dangerous cat and mouse game in this riveting domestic thriller about divorce, manipulation, and revenge, perfect for fans of Sally Hepworth and Jeneva Rose.

Gabby and Fred have just begun to adapt to their new life as empty nesters when Gabby makes a stunning realization: She can't stand her husband.

One night at a bar, Gabby meets an enigmatic younger woman named Ellis, and in a haze of drunkenness, she confesses that she wishes Fred dead. Surely she didn't expect anything to come of it, but when she tries to track Ellis down again, she realizes that Ellis might not have been who she said she was.

As Gabby begins to unravel the truth about Ellis, and what Fred might be hiding, she is thrown into a whirlwind of lies and manipulation. How much is she willing to risk to expose the truth? And how will she get even?

Excerpt

One

How did we get here—when did things become so bad? There are so many triggers and alarm bells, I’m overheating with the effort of trying to pick just one. And now Alice is leaving and if I don’t get ahold of myself I’m going to miss it. 

Alongside our car, a student is saying goodbye to her parents, tucking in her camisole. Fred is watching her, instead of Alice. And I’m watching Fred, instead of Alice. 

She’s at the door of her accommodation block, about to disappear inside. And then, suddenly, she falters, looking back at us, twisting her fingers together. She may as well be in pigtails and a gingham dress on her first day of school. 

My seat belt snaps off. “Gabby…” Fred says. 

I’m already halfway up the path, pulling her into my arms, inhaling her hair. Alice, sweet Alice. 

I don’t want her to leave me. That’s the truth. I don’t want her to leave me with her father. I can’t bear it. Everything is heating, melting, as my entire system gives way to emotion. 

And then I stop myself. I can’t do this to her. I pull back, grasp her shoulders, my arms rigid like tent poles holding us together. “You’re going to have a wonderful time, sweetheart. This is an exciting new adventure.” 

She’s looking at me skeptically, but I don’t so much as breathe. I can be a tower for her. It’s only university; she’ll be home again in ten weeks. 

“Thanks,” she says, her blue eyes filling, becoming sealike. I see my mother in her then and remove my hands from her shoulders in case I’m gripping too hard. “I love you, Mom.” 

“And I love you too… Now go.” I give her a little pat, then watch as she keeps walking and this time she doesn’t look back. 

I think I’m going to die as the door closes behind her, and then it’s me standing there, faltering, looking behind me, twisting my fingers together. Except that’s it not my parents I’m in turmoil about, but my husband. There’s a huge distance between us, much further than the twenty steps it would take me to reach him. He’s not even looking at me. His head is turned toward two attractive girls sitting underneath a tree. I could be setting off a distress flare and he wouldn’t notice. 

Gazing at the door that swallowed Alice, I consider following her, hiding inside the laundry room for a few weeks. And then Fred honks the car horn and reluctantly I take those steps back to him. 

Inside the car, I sit with my bag on my lap, staring straight ahead. He knows not to say anything, starts the engine. I’m glad he’s driving, leaving me free to sob until I’m as dry as a raisin. He’s a steady driver, I’ll give him that. We’re at that stage after twenty-one years of marriage where I’m grateful for his practical skills. I’m sure he feels the same about me and my lasagna. 

As we slowly pull away, everything becomes a blur through my tears. I don’t know if it’s my hormones, but I’m overwhelmed: missing Alice, worrying about aging, wishing Fred wouldn’t look at this collage of youth as though I’m the crusty glue underneath that no one sees. 

I’m uncomfortably hot, even with the air-conditioning on. It’s very warm for September—shorts, strappy tops; a parade of gorgeousness. And just like me and my jumbled thoughts, Fred doesn’t know which way to look. 

Finally, as we pass through the entrance gates, he glances at me, patting my knee as though I’m man’s best friend. “She’ll be fine.” 

Our youngest has left home and that’s all he can say. “Aren’t you upset?” I stop crying for a moment, curious about his response. 

“Of course.” He doesn’t take his eyes off the road. “But this is what you encouraged her to do, wasn’t it? And she worked hard enough to get there. What’s the point in being upset? We can’t keep her tied up at home.” 

I don’t know about that. If there were a sane way to do it, I’d probably give it a go. 

I hiccup, gazing out the window, adding emotional detachment to the list of differences between us. Here I am, breaking my heart. And he’s tapping the wheel to “summer breeze, makes me feel fine,” the salmon tint of his shirt making him seem pinker than he is. I bought that for him. And he needs a haircut. The ancient scar on his knee is shimmering where he’s caught a tan from all the golf he’s played this summer. 

He’s good for fifty-two—doesn’t have to work as hard as I do to stay in shape, even though we’re the same age, our birthdays only a week apart; both Taurus. I always thought this was nice, but someone once said two bulls in one house? Brave! And it was one of those things that went around my head for longer than it should have. 

I don’t think of myself as a bull; sometimes I find it difficult to ask for what I need. And Fred is too tall for a bull. He’s less goofy and cheeky now he’s middle-aged, but every so often I see the old him—the way he was, with curls, John Lennon glasses. I start crying again. And this time, it’s for us. 

“She’ll be okay, won’t she?” 

He looks at me. “Yes.” 

We don’t say anything after that. I cry behind my shades all the way home, sucking my lip. It’s seventy-nine miles from Exeter to Shelby. It will be longer for Alice by train—nearly four hours. I’ll send her money so she can come home whenever she needs to. 

What if she never needs to? 

I hiccup again, but Fred doesn’t notice. I told him I was going to be okay today and he’s taken me at my word. 

I’ve been dreading it. It was bad enough when Will left for Edinburgh. And now he has a girlfriend, Zara, who wears cutoff shorts with the pockets hanging out. She’s lovely, very polite; but she’s twenty and in love with my son and there’s a tiny part of me that wishes she weren’t. 

At home, I don’t go straight inside but linger on the step, gazing at the baby oaks the children planted eight years ago when we moved in. The thing with trees is they stay where you put them. 

Inside the house, it smells of Alice’s perfume, which nearly sets me off again. 

“Will you be okay if I do an hour’s work?” Fred says, opening the door to the basement. 

“Go ahead. I’m seeing Jam later.” 

He smiles. “Well, if she can’t sort you out, then no one can.” 

But I wanted it to be you. 

That’s what I want to say. Yet it wouldn’t sound right, not anymore. Too much has changed between us. There have been too many little betrayals, and some not so little ones. 

“I’ll give you a shout before I go,” I say. “Would you like a coffee?” 

“No, thanks,” he calls out, already halfway down the stairs. 

The kitchen seems bigger than it was this morning, the breakfast bar stools painfully empty, Alice’s cereal bowl in the sink; I might keep it there for a few days. Opening the fridge, I remove a Pinot Grigio, pour a glass, taking it outside with a jar of olives. A breeze is rustling the palm trees on the patio, fluttering the surface of the pool. I take a seat, a cardigan draped over my shoulders like some Hollywood star. 

Sometimes it helps if I glamorize the situation, imagining myself delivering lines, acting out the pain on screen. Sometimes it doesn’t. To be honest, I feel a bit silly. 

I put my cardigan on properly, unscrewing the jar lid, chewing an olive, my eye drawn again to the oaks lining the border. They’ll be beautiful this autumn. It seems cruel that children fly the nest to university as the leaves begin to fall. Why couldn’t it be spring—give parents half a chance? 

I take a long drink of wine, twisting to look up at Alice’s turret. She wanted a sea view when we moved in. Ten years old and she knew a premium room when she saw it. Suddenly, I want to be up there, to lie on her bed among her abandoned clothes and stuffed toys. 

Upstairs, the room is surprisingly cool. I set the wine bottle on her dressing table, pouring myself another glass. “Well, cheers, baby girl.” 

Her bed looks inviting, despite the pile of ratty tracksuit bottoms. Don’t take those, Alice. 

I lie down, drawing my knees to my chest, hugging Big Bear, who smells of Alice’s coconut shampoo. She still uses her bear as a pillow. I cry again, gazing at the photo stuck haphazardly on the wardrobe door: her and Will last year, by our pool, hands draped around each other. 

My babies. Both gone. 

I’m somewhere up high, on a clifftop, the sea crashing beneath me. It takes me a moment and then I remember that I’ve been here before, locked inside this ghastly dream, and then dread begins to drain through me because I know what’s about to happen. 

I wrestle to wake up, but can’t. The rough gorse is grasping my ankles, locking me in place. I don’t want to watch but have to, can’t escape. He’s there now, standing too close to the edge. Fred? Or Will? Don’t let it be Will.

I writhe in panic, ripping my legs on the gorse. I call out, my voice lost against the roaring sea. Get away from the edge! Get away from there! I can’t move or even turn my head away. I know someone else is coming, can sense them drawing closer. I struggle again, screaming, as they shunt the man forward over the treacherous edge. 

I fight as hard as I can, my face wet with tears. And then I’m free. 

Sitting up, I stare around me, the back of my hair wet with perspiration. Letting go of Big Bear, I gather the wine bottle and glass, tiptoeing from Alice’s room. The house feels as empty and fragile as a greenhouse. Outside, the whisper of the sea sounds like passing traffic. I check the time on my phone: thirty minutes until I meet Jamillah. 

In my en suite bathroom, I feel sick with fatigue. My tongue feels bulbous and there’s a sleep line running all the way from my cheek to my chest, as though I’m a cardboard cutout that’s been folded in two, ready to lie flat for the night. 

I put on some makeup, fix up my hair, but that seems to accentuate my eyes—the fact that they’re puffy, swollen—so I let it down again, telling myself that this is as good as it’s going to get. I choose a T-shirt, jeans, and then head downstairs, knocking on Fred’s cave door. 

It smells of computer—that hot wire smell. “I’m off.” 

He looks up, removes his glasses, rubs the bridge of his nose. “Is it that time already?” 

I nod. “There’s pasta salad in the fridge.”  

“Thanks, my love.” He frowns at me. 

“You all right? You look a bit…” 

“I dozed off. And I had that nightmare again.” 

“It’s okay. Everything’s fine. I’m here. You’ll always have me.” He smiles, puts his glasses back on, focusing on the screen again. He works a lot of hours these days, more than he used to, but then so do I. 

He’s perfectly right though. The kids fly in and out like swallows, but good old Fred will always be here. 

“See you later,” I say. 

As I go down the driveway to the side gate, I check my phone to see if Alice has messaged. She hasn’t. I wonder what she’s doing. I think about texting her, but don’t. It’s not going to help her to let go, move on. 

It’s a ten-minute walk to the seafront. I don’t see anyone as I go. My thoughts swirl, froth about and by the time I enter the bar, I know I’m going to have to tell Jam what I finally admitted to myself today about Fred: I absolutely hate him.

Excerpted from THE YOUNGER WOMAN by Cate Ray. Copyright © 2025 by Cate Ray. Published by Park Row Books, an imprint of HarperCollins.

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About the Author

Cate Ray is the author of Good Husbands (2022, Park Row) and four previous novels of suspense published in the UK under the name Cath Weeks. She was named an Author to Watch by ELLE. She lives in Bath with her family.

Connect:

Author Website: https://cateray.co.uk/ 

Facebook: https://www.facebook.com/CateRayWriter/ 

Instagram: https://www.instagram.com/cateraywriter/

Spotlight: Bottles & Blades by Elise Faber

Release Date: February 24

I fell in love with a billionaire.
I just didn’t know it.

Jean-Michel Dubois is the owner of the professional hockey team, the Oakland Eagles, and established the world-renowned Oak Ridge Vineyards.

And…he’s fallen for me.

Me. The boring woman who spends her time studying, baking cookies, and nannying for an adorable little girl.

A relationship between us makes no sense—I’ve tried to make him see that.

But he’s a successful businessman for a reason.

He's ruthless and goes after what he wants.

And he’s decided…

That’s me.

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Meet Elise Faber

USA TODAY bestselling author, Elise Faber, loves chocolate, Star Wars, Harry Potter, and hockey (the order depending on the day and how well her team—the Sharks!—are playing). She and her husband also play as much hockey as they can squeeze into their schedules, so much so that their typical date night is spent on the ice. Elise changes her hair color more often than some people change their socks, loves sparkly things, and is the mom to two exuberant boys. She lives in Northern California. 

To find out about Elise Faber’s  upcoming releases and giveaways, sign up for her newsletter here

For more information on Elise Faber and her books visit: https://www.elisefaber.com/

Connect with Elise Faber: https://www.elisefaber.com/contact

Spotlight: Looking at Mexico / Mexico Looks Back by Janet Sternburg

The writer, photographer, and philosopher Janet Sternburg looks back at the land that spawned her love for photography; twenty-three years ago, she took her first photos in Mexico. In her new photo series, Sternburg looks at Mexico using low-tech cameras to create a poetic image of the country's multifaceted culture.

In 2022, Sternburg met Jose Alberto Romero Romano, a Mexican physical therapist. Accepting her invitation, both tell their stories of Mexican culture in the book. In addition to a deep cultural exchange, this book tells a story of two people with different backgrounds and memories seeking and finding a place of encounter through photography. Looking at Mexico / Mexico Looks Back is Sternburg's third monograph.

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About the Author

Janet Sternburg is a versatile artist, photographer, writer, filmmaker , and educator. Since 1998, her photography has been featured in Aperture, Art Journal, and The Utne Reader. She received acclaim as one of forty international artists and writers who challenge societal norms with their work. Her monographs, "Over spilling World" (2016-17) and "I've Been Walking" (2021), showcase her unique photographic vision. 

Her solo exhibitions have graced galleries in New York, Los Angeles, Berlin, Milan, Munich, Mexico, and Korea, where she created a full-building installation at Seoul Institute of the Arts. She' s known for using disposable cameras to create borderless, interpenetrating imagery . 

As a writer, she's authored seminal works like "The Writer on Her Work" (W.W. Norton, 1981 and 1991) and critically praised books such as "Phantom Limb" (2002) and "White Matter " (2016), blending memoir and essay forms. Her film "El Teatro Campesino" and documentary "Virginia Woolf The Moment Whole" garnered acclaim. 

Sternburg resides in San Miguel de Allende, Mexico, with a residence in Downtown Los Angeles’ Little Tokyo. She' s been honored with grants, fellowships, and artist residencies, including support f rom the National Endowment for the Humanities and MacDowell. She has al so contributed to academia, teaching at institutions like the New School University and the California Institute of the Arts. In 2016, she was co-recipient of the REDCAT AWARD, celebrating her creative leadership in contemporary culture. 

Spotlight: Golda’s Hutch by Robert Steven Goldstein

Craig Schumacher is not your typical executive. With a gentle spirit and a morning ritual that includes serene meditation alongside his cherished rabbit, Golda, Craig values connection over competition. Yet, beneath his calm, polished exterior lies a secret he’s worked hard to keep hidden—one that could change everything.

Enter Byron Dorn—Craig’s employee and chaos incarnate. Crude, impulsive, and driven by envy, Byron is elated when he and his wife stumble upon information that he believes could unravel Craig’s life. But when Byron ropes another couple into his schemes, things become a lot more complicated.

Because Craig isn’t the only one with a secret. And as the stakes rise, everyone will have to decide what they’re willing to sacrifice to get what they want—and when they’re willing to walk away.

About the Author

Robert Steven Goldstein is the author of five novels. His first, The Swami Deheftner, about problems that ensue when ancient magic and mysticism manifest in the twenty-first century, developed a small cult following in India. His second novel, Enemy Queen, a sexual comedy of manners set in a North Carolina college town, was a finalist in the category of cross genre fiction for the International Book Awards. Robert’s third novel, Cat’s Whisker, probes the perceived rift between science and spirituality; it was longlisted for the prestigious Chanticleer International 2021 SOMERSET Book Award for Literary and Contemporary Fiction. His fourth novel, Will’s Surreal Period, about the peripatetic machinations of a dysfunctional family, was longlisted for the Chanticleer International 2022 SOMERSET Book Award for Literary and Contemporary Fiction.

Golda’s Hutch is Robert’s fifth novel. He and his wife Sandy live in San Francisco; over their thirty-six years together, they’ve shared their home with an array of dogs, cats, rabbits, turtles, and parrots, each of whom has displayed a unique personality, startling intelligence, and a profound capacity for love. Robert has practiced yoga, meditation, and vegetarianism for over fifty years. Find out more about him at his website.