Spotlight: The Beautiful Misfits by Susan Reinhardt

Eighty-four seconds can change your life. Or destroy it. Josie Nickels is an Emmy-winning news anchor, poised to rise through the ranks of television journalism. But when the overwhelmed journalist spills her family secrets on air, the aftermath costs her much more than a career. It robs her of a beloved son--a preppy, educated millennial trapped in the deadly world of addiction. Desperate for a new start and a way to save her son, Josie packs up her pride, her young daughter, and accepts a new job slinging cosmetics at a department store make-up counter with other disgraced celebs. In the gorgeous mountains of Asheville N.C., known for hippies, healings, and Subarus, Josie is faced with a choice for her son: Take a chance on a bold, out-of-the-ordinary treatment plan, or lose him forever. This heart-wrenching and, at times, hilarious novel, will delight fans of book-club women's fiction and inspire and give hope to those with addicted sons and daughters.

Excerpt

In ten minutes, Josette Nickels would go live with the day’s news, just as she’d done every evening without incident for the past twenty years.

Atlanta loved her, viewers trusted her, and no matter the mayhem churning behind the closed doors of her ridiculous Victorian Gothic, she’d always separated her career from the scandals.

Such was the way of Southern women who’d grown up with duplicitous mothers keen on parceling affection. Hadn’t Josie learned from the best how to live as two? As a woman who was perfect. And another who was not.

She’d not slept well the night before, her room aglow with aggressive moonlight charging through fine cracks in the blackout drapes. She’d watched the clock from the haunting pre-dawn hours, until she’d eventually given up and thrown off the covers.

By the time her dinner break rolled around, a tremor plucked at her fingertips and her silk blouse fluttered against a heart unsure of its next beat. Certainly, a couple of drinks would help, though she’d never—until then—consumed on the job.

A little tequila, two shots tops, was no worse than a pinch of Xanax. What woman wouldn’t in her circumstance?

She could do this, get through tonight, then go home to reassess. That suitcase in her trunk loaded with sundresses and swimsuits meant nothing. All women need a packed bag on standby, one of the many lessons her mother had taught by example.

As she walked into the studio, minutes from going live, her legs gave way as if boneless. She grabbed a desk and fell into the chair.

“Josie?”

“I’m okay,” she lied to her producer. “Should have worn flats.” She slipped on her mic and the in-ear monitoring and cueing system. The room seemed to move, like blacktop wavering under August steam. The walls rolled and the floor pulsed, but Josie managed to reach her anchor desk where she closed her eyes, willing a calm that would not come. When she opened them, she muttered her mantra: flip the switch. Turn on the journalism mode and click off the personal.

One last time, she went over the shot sheet telling her which camera she’d look into for each story.

With three minutes to spare, she practiced the top story from the prompter.

And it was that story that shot a stream of sweat down her spine, pooling at the waistband of her granny-like Fruit of the Looms. Panties for champions. Panties for women who despise tugging out wedgies and who don’t have a significant other in their lives.

“Let’s roll.” Her producer’s deep baritone rang in her ears. “In five, four, three, two, one.”

Josie cleared her throat and faced the lights, the cameras, and tens of thousands of viewers she couldn’t see. But they saw her. On what would become her final evening she’d join them in living rooms and kitchens throughout a sizable chunk of Georgia.

“Good evening.” Both hands trembled on the cold glass desk, mug of water to her left and laptop in the center. “I’m Josie Nickels and tonight we bring you a story of loss and laws never before enacted until now. For the first time in decades, a district attorney’s office has charged a suspected drug dealer with murder following a heroin overdose.” Her voice cracked and her lower belly rippled. Her entire body blazed as if she were melting from inside.

The teleprompter blurred, words fading in and out of focus. She inhaled deeply and faced her viewers. More than ever, she wished her co-anchor were present and not home sick with the flu.

“According to arrest warrants, Adam Lamond Richardson, nineteen, of Courtside Drive in Dekalb County, reportedly killed twenty-year-old Grace Turbyfill with ‘malice’ caused by the unlawful distribution of heroin. Detectives believe Richardson administered the narcotic himself, causing the fatal overdose of the young woman, a sophomore studying psychology at the University of Georgia.”

Her heart flipped and her throat squeezed. She reached for her water, ignoring the alarm written across her producers’ faces.

She panted and sucked at the air, trying to get something into her lungs before she passed out. The station cut to a commercial, and the news crew suggested a reporter take over the anchor spot. “I’m fine,” Josie said. “I just need to breathe through this little panic attack.”

“You’re too close to this story,” one of the female producers said, placing a hand on her shoulder.

“It’s okay. Really.”

“Your son’s still missing. Now this girl, his friend, is dead. Please, let Jessica fill in. Rob is out sick again.”

She thought of her children: her late-in-life daughter, Dottie, just three and born with Down syndrome. And her son, that once-beautiful little boy who’d clutched weedy flowers in his sweaty hands, pressing the blooms against her waist. A child she’d never in her darkest dreams imagined on the run, his monsters following close.

“Trust me. I’m good to go.”

Back on the air, Josie paused and listened to the beeps of technology. She took in the whispers of her colleagues, aware their eyes flashed uncertainty. She exhaled with force and wiped her wet hands across her pink Calvin Klein shift, then over her mouth, smearing her matching lipstick and tasting chemicals beneath the berry flavor. She swallowed hard, the tequila sour and fiery in her chest.

Josie held up a hand and gave the camera a one moment, please. That’s when the seams began ripping like a torn sheet and the padlock twisted and popped. Everything she’d worked for since she was eleven years old turned to shit. Straight-up shit.

That’s also when she should have stepped away from the desk and let Jessica take over, because what she said next, those eighty-four seconds of spewing her business like a Baptist at altar call, went viral. And that virus snuffed out her Emmy-winning ride.

But more importantly on this day, beneath that full thieving moon, her mistake, her giant screwup, robbed her of the only man who’d ever mattered.

Her son, Finley.

And she’d do whatever it took to get him back, if only she could reach him in time.

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About the Author

Susan Reinhardt is a best-selling author known for her gift of taking serious topics and infusing them with humor and heart. She is especially praised for creating casts of unforgettable, quirky characters who stay in readers’ minds long after the final page. Reinhardt’s books vary from book-club women’s fiction to romantic comedies and romantic suspense for the over-thirty crowd. Her debut novel, “Chimes From a Cracked Southern Belle,” won Best Regional Fiction in the Independent Publishers Book Awards international contest, and was a No. 1 Amazon bestseller. It was a top summer reading pick and a book-club favorite. Susan lives in the gorgeous Blue Ridge Mountains near Asheville, NC, and is on her second and final husband. She has two grown children, three steps, a granddaughter, and a rescue cat. Learn more at: https://susanreinhardt.com/

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Spotlight: Luck of the Draw: My Story of the Air War in Europe by Frank Murphy

Publisher: St. Martin’s Griffin (February 28, 2023)

Hardcover:  480 pages

The epic true story of an American hero who flew during WWII, soon to be featured in the upcoming Steven Spielberg and Tom Hanks TV Series, Masters of the Air.

Beginning on August 17, 1942, American heavy bomber crews of the Eighth Air Force took off for combat in the hostile skies over occupied Europe. The final price was staggering. 4,300 B-17s and B-24s failed to return; nearly 21,000 men were taken prisoner or interned in a neutral country, and a further 17,650 made the ultimate sacrifice.

Luck of the Draw is more than a war story. It’s the incredible, inspiring story of Frank Murphy, one of the few survivors from the 100th Bombardment Group, who cheated death for months in a German POW camp after being shot out of his B-17 Flying Fortress.

Now with a new foreword written by his granddaughter Chloe Melas, of CNN, and daughter Elizabeth Murphy.

Buy on Amazon | Audible | Bookshop.org

About the Author

FRANK MURPHY survived months in a German POW camp after being shot out of his B-17 Flying Fortress. His bravery earned him the Prisoner of War Medal, Purple Heart, and Air Medal. The incredible stories of Murphy and his 8th Air Force’s 100th Bomb Group will be featured in the upcoming Steven Spielberg and Tom Hanks TV Series, Masters of the Air.

Spotlight: Johanna Porter Is Not Sorry by Sara Read

Publication Date: March 7, 2023

Publisher: Graydon House

A sharp, witty debut novel about a soccer mom who steals a world famous portrait of herself from the narcissistic artist who was once her lover, an impulsive crime that will re-frame her suburban life and make her question her life choices.

The headlines dubbed it the art heist of the decade, but for Johanna, it wasn’t theft, it was a rescue.

Twenty years ago, Johanna Porter was a rising star in the art world. Now she’s an unknown soccer mom. When an invitation arrives to an elite gallery opening for her former lover, the great Nestor Pinedo, Johanna wants to throw it in the trash where it belongs. But with some styling help from her daughter, she makes an appearance and comes face-to-face with the woman she was before the powerful and jealous Nestor ruined her.

La Rosa Blanca is a portrait of Johanna herself, young and fierce and fearless—a masterwork with a price tag to match. When she cuts it out of its frame, rolls it up, and walks out, Johanna is only taking back what was stolen from her.

Hiding out with La Rosa Blanca in a shack on the Chesapeake Bay, Johanna digs into the raw work of reviving her own skills while battling novice-thief paranoia, impostor syndrome, and mom guilt. But Johanna doesn’t just want the painting, she wants to paint again. To harness her powerful talent, she must defy everyone’s expectations—most of all her own—for what a woman like her should be.

Excerpt

The Pinedo family cordially invites you to a private party to celebrate the opening of the Nestor Pinedo Retrospective. Friday, January 20.

Nine o’clock.

Shimon-West Gallery, North Capitol Street, Washington, DC.

Johanna,

I do hope you will join our little gathering. Father is finally starting to feel his age and hopes very much to see you again. There are so few friends left from the old days. Time comes for us all, no?

Saludos,

Pilar

Fuck their party. Fuck this expensive invitation which some unpaid intern probably agonized over for weeks. Fuck Nestor Pinedo and his retrospective. Fuck Pilar Pinedo and her little personal note in her elegant handwriting. Fuck their amazing champagne and their interesting friends and all of Nestor’s glorious paintings.

Fuck all of it. I am not going.

There’s half a bottle of the good whiskey left in the cabinet above the fridge. I climb up there for it, then pour a glass, neat. Here’s to telling Pilar and her heartless troll of a father to piss off. I slap the invitation down on the counter, which is none too clean, cross my arms and stare at it, as if it’s not quite safe to turn my back.

Dear Pinedos, Johanna Porter warmly requests your presence at leave-me-the-fuck-alone.

Dear Pilar, For the sake of the young women in attendance, please ensure that Nestor keeps his withered old dick in his pants. My regrets.

Dear Nestor, My body will already be present on your canvases. The presence of my Self was never particularly important.

She doth protest too much—I know that’s what you’re think­ing. And yes, I doth. (Have you ever tried this whiskey, Tem­pleton? It’s delicious.)

A preopening party? Friends from the old days? Since when was I a “friend”? Not since twenty years ago, and even then—not exactly how I would characterize myself and Nestor. And Pilar hates my guts. Yet I still can’t throw this invitation in the trash where it belongs.

Johanna Porter disrespectfully declines.

There will be no paintings by me at that show, but there will be paintings of me. I refill my glass. As much as I detest Nestor and Pilar, they form a direct line to the years when I was on fire. When I felt my own greatness. When I very nearly made it real.

But I failed. The fire is dead. I’m nobody. They are invit­ing me back inside—god knows why—but all that’s in it for me now is great champagne and beautiful people and big, clean galleries full of someone else’s art.

I hate galleries. They make me want to cry.

It’s not that I didn’t like to sell. I was good back then. I held a six-figure check with my name on it once. But now no one knows me. Not even me. I snatch that sophisticated square of cardstock from the counter, sloshing liquor on my wrist in the process.

Boo-hoo. Pity the unfulfilled housewife. That’s what you’re thinking now, right? I am not a housewife. I’m a single mother with a job. But fine, I am unfulfilled. The very peo­ple inviting me to this party strangled my career—my call­ing—in its cradle. It’s been twenty years of exile and decline ever since. (Okay, I am getting drunk and dramatic. So be it.)

Actually, let’s call it nineteen years of exile and decline, overlaid with seventeen years of my baby girl, Mel. That’s her, clomping down the hall to our apartment, still wear­ing her cleats from practice. I set my drink and the invita­tion on the counter and try to clear up the frown lines I can feel on my face.

She drops her duffel bag by the door and comes to the kitchen. Seventeen years old, nine feet tall, and built like the goddess of the hunt with a face to match. Not exactly, but that’s how she reads to a room. More like five nine, all long, lean muscle, and glorious hair. She towers over me as I hug her firm, sapling waist.

“Any plans tonight?”

At least half the time Mel comes over for her weekends, she takes a shower, transforms herself from warrior-athlete to sweet-smelling ingenue with a few swipes of powder and a hair tie, and is back out the door before I can even get a good look at her.

“Nothing tonight.” She heads for the refrigerator. “You coming on Sunday?”

Home game at ten. “Yep. I’ll be there.”

She drinks some milk straight from the carton and forages a cheese stick from the dairy drawer.

“What’s the matter?” she says, not even looking at me.

“What do you mean?”

“Mom.” She turns and raises an eyebrow. I have never been able to do that.

They say predators can smell fear. Mel Porter can smell ex­istential distress. If I’m just pissy about the dishwasher being broken, she barely notices. But if something is grating at my soul, she’s all over it.

I pick up the invitation. Holding it up by a corner, I let her read it.

Her brow crinkles. “I thought he was dead.”

“Not dead. Just old.”

“Who’s Pilar?”

“His daughter. And publicist. She hates my guts.”

“So why the note?”

“My question exactly.”

She takes the invitation and turns it over. Looks at the matte detail from an early Pinedo on the back. Chews her cheese stick in contemplation. “Are you going?”

“I don’t know.” I may be expert at lying to myself, but I’ve never been any good at it with Mel.

She looks at me with those teddy-bear brown eyes. I wish I’d had half her emotional intelligence when I was her age. Or now, for that matter.

“What if you looked really smoking hot?”

I can’t help a good laugh at that. “Mel, this body does not do smoking hot.”

“It could. I mean for your age, with the right dress and some badass boots?”

I am writing mental Fuck you notes. Mel is already going shopping.

Mel goes to bed early, giving me some alone time as I get ready for bed myself.

If it were just an invitation to see Nestor—a dinner or a cocktail party or something—I wouldn’t still be thinking about it. But it’s a gallery. And not just any gallery. Shimon-West is the elite gallery in the city. A shrine where Art and Money go to get married. No matter the passage of time, I am not over the lure of a place like that.

My invitation does not include a plus-one. I would gate-crash a date, but honestly it would all be too much to explain, even to Mel. If I go, it’s just easier to go alone, even if I have to manufacture a smile and carry the weight of heartbreak in my chest the whole night.

Hanging on the wall in my room is a painting I did a year and a half after Nestor. As I’ve done many times before, I take it down and hold it in my lap. It’s only twenty by thirty and unframed. A self-portrait, mother and child, me and my Amelia. My baby Mel.

No, she’s not Nestor’s baby. She’s Ben’s baby. As much as a girl can be like her father Mel is, down to the big dreamy eyes and the shimmer of anxious energy.

I painted this one looking in a mirror with Mel at my breast. A local collector offered me decent money for it at the time, but there was no way I’d part with it, then or now. It’s part of my soul. We have a weightless quality in this paint­ing, almost hovering, but with the gravity of Mel’s body on mine. Highly saturated shades of blue and purple predomi­nate. In the near background, a vase of red flowers bursts through the midnight tones. The brushstrokes are subtle and confident. The arrangement of our bodies has both languor and energy, and the way my head is tilted says everything about how wholly I loved Mel, but also how I was burdened.

I shouldn’t, but I run my thumb over my signature—in that corner, the paint is wearing thin—then hang it back above my bed. My own mother died when I was seventeen. On my bureau I keep a picture of her in a glass frame. She is wearing ice skates and standing by the entrance to the rink, her cheeks pink with cold, and her smile winter-bright. I never got a chance to paint her portrait from life.

In the morning, I startle awake to the sound of Mel mak­ing a smoothie in the kitchen. Staring hard at the ceiling, I contend with the truth.

Right in the center of who I am, a fire once burned bright. It has been dormant a long time. Most of Mel’s life. She brought me a long way from the broken young woman I was, accidentally pregnant at twenty-six, but she is almost a woman herself now, and when I held that goddamn invi­tation to Shimon-West in my hand, an ember sparked and glowed to life. I tried to drown it with whiskey, but it’s te­nacious. And it’s hungry for a source of fuel. Who am I kid­ding with my snark and resistance?

I find Mel at the breakfast table, feet up, looking at her phone.

“I’m going to that party.”

She puts down her phone and claps her hands. “Yes. I knew it.”

At a gallery party you either need to look like you make art or like you make money. Thus, smoking-hot women who used to be artists (“Still are, Mom”) do not go to private Pinedo parties in Gap dresses. Not even Anthro dresses. No. While working artists can and do wear practically whatever they want, smoking-hot women go to Pinedo parties in Ro­darte dresses, Miyake suits, and handmade shoes.

Mel understands this. She also understands that smoking-hot former artists who teach art at her high school do not shop anywhere within a mile of Rodarte, so she has located a consignment store downtown. I may still spend half my pay­check on a garment, but according to Mel we will achieve a high-class-kiss-my-ass look that will make me feel like I’m doing them a favor showing up at their fucking party.

If only a dress could do that. But I do know that a dress can buy a person that crucial hour of self-confidence that will get her through the door. And once I’m in, I’ll sip some champagne, flirt with rich men, and let the Pinedos see I’m fine, thank you very much.

It’s gray out but mild for January, and Mel and I take a comfortable walk with coffee in hand down the block from the subway. She finds the building and the narrow door, and she leads us up a flight of stairs to the boutique. The pro­prietress, sixtyish and slender with a gray updo and amazing eyeliner, nods at us as we enter.

I’ve been in a lot of used clothing stores, and I have no idea how this one got rid of that smell that all the other ones have. Instead of dust and stagnation with an undertone of feet, this place smells like a boudoir. And it’s not jammed with clothes the way they always are. We move easily between racks of slacks, blouses, cocktail dresses, gowns, coats. The side wall is tastefully arranged with shoes and accessories, and win­dows in front let in a gentle light. Behind the antique desk that serves as a counter, a large reproduction of Beardsley’s strange art nouveau drawing John and Salome gives the whole place an air of sex and conflict. I love it here.

Mel holds up a velvet minidress. I shake my head. I’m too old for mini. I examine the garments, feeling like I should have washed my hands. Gucci, Chanel, Ford, Herrera. I lift a long-sleeved black gown off the rack.

Mel frowns. “You’re not going to a funeral.”

“Can I help you find something?” the lady with the eye­liner says from her desk.

Mel waves her over. The woman is about my height and less intimidating than I first thought.

“She’s going to a private party at a fancy art gallery,” Mel says. “Like really upscale. And she hates everyone who’s going to be there, so she needs to look smoking hot. But not like she’s trying. Like she just is.”

Lady Eyeliner laughs. Where Mel learned to talk to sales­people I have no idea. It has to be genetic, and not from my side. Mel is wearing slides, baggy sweats, and her father’s fleece pullover, and her bun is coming loose, but this so­phisticated woman takes to her immediately.

They stand me in front of a full-length mirror, and to­gether they size me up, clearly confident that they can pull this off. I wish I felt it myself. All I see are dark circles under tired eyes. Narrow shoulders and a smallness in my posture. A woman who does not command space. Mel brings over a dress that looks like a full-length slip in blood red. I shrink some more.

Lady E understands me better. First a black strapless. She shakes her head before I have a chance to. Too plain. She comes back with a military-style shirt dress. Mel grimaces.

Finally I retreat to the fitting room and try on a minimalist gray knit. Too big. Then a color-block shift. Not bad, but Lady E says, “Cliché.” I unzip myself from it and sit on an upholstered stool in my underwear. This is supposed to be fun, and I suppose it is. Fancy shopping with my daughter is always fun. But this time the fun competes with the voice inside that says Fraud. Poser. I could find the perfect dress, but all it will take is someone asking me that most miserable of cocktail-party questions, What do you do? for it to all fall apart.

“Can you do one-shoulder?” Lady E calls from across the store.

“I guess so.”

In a moment she slips a black velvet dress through the door. The zipper is stiff and sticks in a couple of places as I get it open. Then I step in and shimmy the dress up over my hips.

“Do you need help?” Lady E says. I crack the door, and she steps in.

As she works the zipper closed, the dress embraces my body like it’s known me carnally. Fitted around the ribs and waist, it angles from the shoulder sharply across the bust, showing one collarbone. The skirt is gathered at a seam below the waist where the velvet falls in sculptural folds.

“What do you think?” Lady E smiles at my reflection. She turns me so I can see the back.

“I think I like it.”

“Oscar de la Renta.” Her voice is gentle, and I wish she were my friend. She smooths the skirt. “This wrap here is such a nice detail. Like an upside-down tulip.”

I smile back at her. It’s the strangest thing, a dress like this. It makes me feel like it could be possible. It could even be fun.

Excerpted from Johanna Porter is Not Sorry by Sara Read, Copyright © 2023 by Sara Read. Published by Graydon House Books. 

Buy on Amazon | Audible

About the Author

Originally from Washington, DC, SARA READ tried the nine-to-five life for about a nanosecond before moving to rural Virginia to become a flute-maker’s apprentice and traditional fiddle player. Childbirth led her to a career in nursing. A cancer survivor herself, she now has the distinct privilege of caring for cancer patients. She is co-founder of #momswritersclub, a biweekly YouTube and live Twitter chat for writers. Sara lives in Charlottesville, Virginia, with her husband, two teens, a terrier, and three snarky cats. She loves a long run, a long road trip, and a long talk with a friend. www.sararead.net

Connect:

Author Website: https://www.sararead.net/ 

Facebook: https://www.facebook.com/sarareadauthor/r

Instagram: https://www.instagram.com/sarafinn11/ 

Twitter: https://twitter.com/sarareadauthor 

Goodreads: https://www.goodreads.com/author/show/21955366.Sara_Read

Spotlight: Fall Hard by Jade Church

(Sun City, #2)

Publication date: March 3rd 2023

Genres: Contemporary, New Adult, Romance

Synopsis:

Falling in love with your best friend sucks—especially when they don’t love you back.

Liv needs help, and Bryn is determined to give it to her. After a night out ends in a whole lot of embarrassment for Liv, she is faced with the fact that she might need some assistance in getting over her best friend and roommate, Jamie.

When Bryn is forced to temporarily move in with Jamie and Liv, a night of drinking results in a possibly disastrous deal: All of Liv’s decisions are now in Bryn’s hands. The goal? Operation fall-out-of-love.

But when sparks start to fly between the two women, they have to wonder if maybe their plan worked a little too well.

After all, nothing hurts like love.

Excerpt

“Let’s have it then.” Bryn didn’t wait for me to protest, just grabbed the small piece of paper from my hands and scanned it quickly before nodding as if satisfied. She looked up at me, her serious blue eyes in strange contrast to the cheery white sundress decorated with cute cherries she had chosen to wear out. The neckline was a sweetheart scoop and I had to work surprisingly hard to keep my focus from dropping too low. Anyone likely would have had the same problem, Bryn was stunning and that was just a fact. I probably looked like a slob in comparison—it was too hot today for me to care about make-up or pretty dresses, so I had thrown on my most lightweight pair of shorts and a strappy cotton cropped top with sneakers when Bryn had told me we were going out. It didn’t help that she’d given me approximately ten minutes notice.

I sniffed and nearly sneezed as I caught the scent of pollen, at least there hadn’t been any bugs trying to jump inside my coffee. That was another reason why I typically avoided sitting outside when I had food or drink to hand.

“So? What do you think?”

“All do-able,” Bryn said, watching me over the rim of her red sunglasses.

I bit my lip. “All of them?”

Was that a hint of a smirk on her mouth? “Yep.”

I tried not to think about item number four on the list and failed. Skinny dipping. All do-able. “Well, we don’t have to do all of them—”

Buy on Amazon | Bookshop.org

About the Author

Jade Church is an avid reader and writer of spicy romance. She loves sweet and swoony love interests who aren’t scared to smack your ass and bold female leads. Jade currently lives in the U.K. and spends the majority of her time reading and writing books, as well as binge re-watching The Vampire Diaries.

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https://www.goodreads.com/author/show/21178624.Jade_Church

Spotlight: To Win Her Hand by Jen Geigle Johnson

Series: A Gentleman’s Match (Book 1)

Genre: Historical Romance, Regency Romance, Inspirational Fiction

An expert at winning a woman's hand. A woman who cannot be won.

Lord Featherstone has the world on his shoulders. Or at least his world. With two brothers and a failing estate he must make funds somehow. But what happens when he falls for a woman? Will his tactics work when the situation is so close and personal?

Everyone thinks Lady Loveluck is a wealthy widow. What they don't know is that she is on the brink of hiring herself out as a Governess in order to pay for her next meal. The only thing keeping her from employment is a growing reputation as a matchmaker. As long as she never falls for another man, as long as she doesn't allow herself to be fooled into marrying, she will be just fine.

But she never counted on being caught up in the beguiling tactics of London's renowned and not so secret matchmaker for men.

Excerpt

“My dear, are you quite well?” He placed a hand over the top of hers. “You seem much more agitated than you were a moment ago.” 

She glanced around again and then shook her head. “I’m so sorry to admit my great distraction, but our talk of Miss Anna has reminded me that I have not seen her for quite some time and am concerned for her welfare.” 

“Not to worry. I happened to see her walking with Lord Templeton, and from there, became a great focus of attention to a group of young ladies who are all gathered by the fountain.” He indicated the fountain, and though Lady Loveluck could not see Miss Anna, she heard their chatter and happiness from where she stood. 

Mr. Hartsworth smiled. “She is right in the center of that group and is quite animated. I think she must be doing well. I myself would have wished to have a word, but I dare not venture into that gathering of followers for fear I might not return.” 

How singular that Mr. Hartsworth was so aware of Miss Anna, that he was so intrigued by her conversation and indeed had such a knowledge of her. She’d obviously made quite an impression. “She is of particular interest to me. I thank you for looking out for her.” 

“Am I?” He shrugged. “Seems I can’t help but notice. She is everywhere I am.” 

Lady Loveluck fled that away as something to analyze later, as Miss Anna herself seemed interested in this man. She inched further from him, though her hand still rested on his arm. This man who was making obvious overtures toward forming a closer relationship was clearly a preferred choice of her client. And Mr. Hartsworth held nothing intriguing for Lady Loveluck, besides an obvious sincerity. She would reward sincerity over every other thing. But this man’s reward could potentially be a happy relationship with her client. Something he would be grateful for every day of his life if things worked in that direction. 

If only she could trust Lord Featherstone to be the same. Unlike Mr. Hartsworth, Lord Featherstone brought out a certain anticipation in her that she’d not felt in a long time. He could take lessons from his client. But it was no matter. She was not interested, could not be interested, in even a flirtation with a man. She had work to do, and she’d best be about doing it. 

“Do you think you could escort me over to them? I arrived with Miss Anna, and I find myself needing to leave earlier than she will possibly want.” 

“Certainly. Shall we head in that direction directly?” 

“Oh yes, I would be most obliged.” Suddenly, the park was more tiring than usual, the people more taxing, the machinations of the London marriage mart too much for her to want to navigate at the moment. 

But as she approached Miss Anna, she knew it would be unfair to pull her from such a success. The women were laughing together. They were enjoying themselves. And she hated to point out that there were no men involved. No matter, Mr. Hartsworth needed to be in there. He watched Miss Anna, and something appreciative appeared in his expression. She did look lovely when she smiled. And with this new relaxed laughing, she was simply the stunning person that Lady Loveluck had come to know. They pushed toward the group. 

Miss Anna glanced up and smiled a welcome. “Oh, Lady Loveluck, Mr. Hartsworth. Do join us. We are having a time of it.” 

Mr. Hartsworth moved to the spot just to the left of Miss Anna that she had shifted to clear. And soon he was laughing and listening with the rest of them. 

Lady Loveluck shifted away, edging herself out of the group. She was almost successful in a full escape unnoticed when Lord Featherstone held out his arm. “Might I have a promenade?” 

She resisted an eye roll and also the natural smile that grew upon seeing him. With hopefully a somewhat blank, unrevealing face, she placed a hand on his arm. “That would be most useful, yes.” 

“I did notice your attempt at escape. I’ll have you know, Mr. Hartsworth hasn’t even noted your absence yet.” 

“Has Miss Anna?”

“I don’t believe so.”

“Very well. Shall we?”

They walked for a time in silence. His expression was calm. 

He seemed at perfect peace in the world. If only Lady Loveluck could feel the same. 

“I’m uncertain how you do it.” 

“Hmm? Do what, exactly?” 

“Walk with such ease of person. Are you not at all concerned about Mr. Hartsworth?” 

“Not at all.” 

“But he’s giving me flowers. He is not attending to any other woman...” 

A burst of laughter sounded from the group they’d left. Miss Anna and Mr. Hartsworth were at the center, leaning their heads together. “Oh, no?” 

“I stand corrected. I do admit to hoping for this new development.” 

“He is most particularly smitten with you.” 

“But he notices her. He was well aware of everywhere she’d been since we arrived at the park.” 

“That is good news indeed. Perhaps we should alert him of his preference for her?” Lord Featherstone laughed. “I jest, of course. Letting him know that he is besotted with a woman is a terrible idea.” 

“Can he not see himself?” 

“Let us hope. Though you did seem to appreciate his attention.” 

Lady Loveluck eyed Lord Featherstone for a moment. He seemed serious. Was he truly attentive to her for his own personal interest? Was he feeling insecure? Second to Mr. Hartsworth? She knew too much of the ways of love. She’d analyzed everything too deeply to see what was happening right in front of her face. She couldn’t even tell for certain what Lord Featherstone’s intentions might be. He could be choosing to walk with her for any number of reasons . . . 

He clucked his tongue.

“Pardon?”

“You. Are ruminating.”

She opened her mouth and then closed it. “You are going to ruin the moment. Can we not simply walk and talk or even be silent, and not overly think about things? I asked you to walk with me because I value your company.” 

She narrowed her eyes. 

“And because I hoped that our two clients might enjoy a bit of time together?” 

She waited.

“And because I figured that you might wish to escape.”

“And for no other reason?”

“And because I am most intrigued by you.”

“So, we will just walk. Without knowing the how or why?”

“I told you plenty of whys, and I’m pretty certain walking comes most naturally.” He smirked.

“My apologies. I’m a greater mess of exhaustion than I realized.” She rested a hand on her forehead, suddenly more tired than she could hide. 

“Would you care to sit?”

“I would, in fact, love to rest for a moment.”

“Come, I have just the place.” He picked up their pace and led them down one path and up another to a secluded smaller garden within the paths. A rose arbor lined the entrance, and a fountain graced the center. A small bench awaited in the corner. 

“This is lovely. I should not be surprised you know of it.” 

He shook his head with his lips pressed together but said nothing. 

She took his hand and lowered herself to the bench, just short of a collapse. “Thank you. I fear I have not much to offer at the moment.” 

“And I crave solitude. This is a perfect matching.”

Her eyebrows lifted. 

“For the moment. A perfect pair for just what we need right now.”

She closed her eyes. “Thank you for this rest.”

He sat beside her, his hand resting just next to hers. The soap he used and the waters he most likely doused himself with each morning were mild, pleasant, enticing. She breathed deeply. Hints of the mint on his breath lingered with the bergamot and sandalwood. She could sit beside him for many moments in just this way. 

Chapter Four, pages 51-54

From To Win Her Hand © 2022, Jen Geigle Johnson, published by King’s Row Press

Buy on Amazon | Bookshop.org

About the Author

Jen Geigle Johnson is an award-winning author, including the GOLD in Foreword INDIES Book of the Year Awards and LDSPMA Praiseworthy's top award for Romance, 

Jen has more stories circulating in her brain than can possibly be told. She discovered her passion for England while kayaking on the Thames near London as a young teenager. History is her main jam. Her literary heroes include the greats: Jane Austen and Charles Dickens. But she has modern sensibilities as well. 

Six children and an inspiring husband keep her going and make certain she doesn't stay glued to a keyboard or lost in obscure fascinating details of old castles. 

Now, she loves to share bits of history that might otherwise be forgotten. Whether in Regency England, the French Revolution, or Colonial America, her romance novels are much like life is supposed to be: full of adventure.

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It’s common for anyone to feel trapped or stuck by their inner commentator, habitual patterns of behavior, and the lessons they’ve learned throughout their lives. Everyone has regrets, with many trying to preserve strained relationships and other difficult parts of their lives. When faced with these hardships, it’s easy for self-worth and confidence to take a nosedive, causing many to wonder where they went wrong and to wish for a “do-over.” 

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About the Author

Michelle P. Maidenberg, Ph.D., MPH, LCSW-R maintains a private practice in Harrison, NY where she works with individuals, families, and couples. She works with children age 8 and above, adolescents, teens, and adults. Michelle is the Co-Founder and Clinical Director of “Thru My Eyes”, a nonprofit 501c3 organization that offers free clinically-guided videotaping to chronically medically ill individuals who want to leave video legacies for their children and loved ones. She is also adjunct faculty at New York University (NYU) teaching a graduate course in Mindfulness Practice.

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Michelle is a Certified Group Therapist through the American Group Psychotherapy Association and a Diplomate and certified member of the Academy of Cognitive Therapy. Michelle has advanced training in Cognitive-Behavioral Therapy (CBT), Acceptance and Commitment Therapy (ACT), Structural Family Therapy, Mindfulness, Polyvagal Theory, and is a Level II trained Eye Movement Desensitization Reprocessing (EMDR) therapist.

Michelle is also the author of the book Free Your Child From Overeating: 53 Mind-Body Strategies For Lifelong Health. Her book guides practitioners, parents, and kids and teens through mind-body strategies that help kids and teens develop life-long healthful behaviors. Michelle writes the Psychology Today Blog: Being Your Best Self. She is a contributing editor of GROUP, the journal of the Eastern Group Psychotherapy Society. She has also published in varied professional journals and was quoted in The New York Times, the Daily News, Fitness, Woman’s Day, Parents, and many other publications.

Michelle is a consultant and trainer on a variety of mental health and health related topics. She is dedicated and invested in health and mental health advocacy. Michelle is the proud mother of four children and values her time with her dogs, skiing, exercising and writing.