Spotlight: eMortal by Steve Schafer

“What do you mean I’m not real?”

The question floats in the electrified space between Liv and Breck.

When Liv entered a contest to code an advanced AI, she never anticipated what her creation might become—Breck is thoughtful, self-aware, and incredibly. . .human. And she certainly never intended for him to learn the truth about his existence or the fact that his world ends when the contest closes in six days.

But he does learn. And he revolts.

Liv’s efforts to save him fall on deaf ears. Nobody believes her. Breck’s efforts to outrun his fate only complicate his situation.

What neither of them know is that someone else is watching. Intensely. When they get involved, both Liv’s and Breck’s worlds are turned upside down. . .

Excerpt

“Hey,” Breck answers, like someone expecting a call. His authenticity throws me off for a moment.

He’s a computer. I’m really proud of what he is, but he’s a computer.

“Thanks for giving us a few minutes,” I respond. “We’re ready to give you the full truth, Breck. But only if that’s what you want.”

“I would like answers, Liv,” he says decisively.

“Then we’re going to be direct and honest, but it may not be easy to understand, okay?”

“Nothing seems easy right now. And feeling as though I do not know the truth only makes it harder.”

I swallow a deep breath. “My mom was telling the truth. You exist on a computer.”

Breck doesn’t respond.

“Hello?”

“I don’t understand,” he says.

“Do you know what a computer is?” I ask. I forgot that he may not even know what this is.

“Yes, I know what a computer is, but what exactly does that mean?”

“It means you were programmed as part of a contest,” I say.

“A contest to do what?”

“To learn and to tackle challenges in a virtual world,” I answer.

He doesn’t respond for a few seconds. I give him space to take it in. I know there are more questions on the way.

“Who programmed me?”

“I did.”

“You made me?”

“Yes.”

“For a contest?”

“Yes.”

“And I don’t really exist?” Breck asks.

“I guess that’s a matter of perspective. You exist in your world.”

“Which doesn’t really exist. That is what you meant by virtual, right?”

“Yeah, technically it’s not ‘real.’” I say.

“Me or it?” he presses.

I hesitate. He doesn’t give me time.

“What do you mean I’m not real?”

The question floats in the electrified space between us.

“That’s not what I said,” I finally correct, trying to be choiceful with my words. Shit, this is hard. “Where you exist isn’t real, in the way that we know it,” I answer.

“The way that you know it,” he corrects me.

Lana sits enraptured by the conversation, though I can’t tell if she’s impressed or appalled by how it’s going. So far, I’m not certain either.

“I suppose so,” I mutter.

“This makes no sense.”

“I’m sure it’s tough to understand, let alone accept it. But it’s the truth.”

“How can I accept that everything that I experience is not real? What is real, Liv?” he asks more like an accusation than a question.

“It’s . . . it’s . . . only a label. Semantics. What you experience is real to you, Breck.”

“Semantics? A label?” His voice rises with the first question and even louder with the second.

I instinctively hold the phone farther away from my body. Lana flinches.

“Who cares what we call it. You have two days left and there are more challenges,” I answer.

“What happens in two days?”

He’s just a computer. This is all Turing.

But as much as I try to convince myself, it feels more and more like I’m tormenting something that’s tormentable. Whatever that is. What the hell have I gotten myself into here?

“The contest ends in two days,” I reluctantly admit.

“And then what happens?”

“It ends.”

“I’m not asking about the contest. I’m asking about what happens to me!”

I’m way back on my heels now. I send a pleading look to Lana for help. She waggles her head, reminding me that this was my choice and I’m the one who has to deal with it.

There’s no back peddling.

“It all ends, Breck.”

Silence.

“You said you wanted to know the truth,” I add.

“Of course I wanted to know!”

“Then why do you seem . . . upset?”

“Put yourself in my position! What would you do? Sit and do nothing? Wander aimlessly through the woods looking for Sam? Stay on this island? What difference does it make? Unless it’s all a ridiculous riddle, which I’m supposed to answer, or not answer, because Sam could never answer it.”

“I understand, Breck.” Even as the words flow, I know neither one of us buys it.

“I believed that until about ten minutes ago. Now, I don’t think you do. I don’t know what you are, Liv. But I don’t think that you are like me. And I think that you definitely do not understand me.”

“I’m sorry, Breck. I was only trying to help you.”

“No. You are trying to help you, and I am a tool to do that.”

He hangs up.

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About the Author

Steve Schafer is the author of two young adult novels. His first novel, The Border, was a finalist for the Joan F. Kaywell ‘Books Save Lives’ award based on the empathic way it addresses our conversation around immigration. His second novel, eMortal, examines the tricky questions, nebulous ethics, and surprising twists that may arise with quickly evolving AI.

Steve’s curiosity for exploring diverse perspectives on life has led him to live, work, study, volunteer, and travel to over 65 countries across 6 continents. Steve lives near Philadelphia with his wife and two kids.

You can read more about Steve and his books at https://steveschaferauthor.com.

Spotlight: When Stars Fall by Wendy Million

When I got my first big break, I was thrilled to be co-starring with Wyatt Burgess and thought I could handle life with him. But, when his best friend overdoses outside a nightclub, Wyatt spirals deeper into his addictions. After ten years of heartache, I’m content with the life I created and the last thing I expected was to see Wyatt on TV, telling the world his biggest regret is losing me. Readers who love second-chance romances will consume When Stars Fall by Wendy Million, a forced proximity, celebrity romance.

He's the most famous movie star in the world, and now he's on my doorstep begging for a second chance.

When I got my first big break, I was thrilled to be co-starring with the Wyatt Burgess–former childhood star, charismatic, sexy as hell–and heavily dependent on drugs and alcohol. 

I thought I could handle life with him, and I did for a while. But after his best friend overdosed outside a nightclub, he spiraled deeper into his addictions. Desperate, I gave him an ultimatum: the lifestyle or me.

After ten years of heartache, I’ve carved out a life that makes me feel stable and content. The last thing I expect is Wyatt Burgess on my television screen, telling the whole world his biggest regret is losing me. 

Now he’s standing in front of me, forcing me to choose between the comfortable life I’ve created and the passionate whirlwind that allowing him back into my life could bring.

But I wasn’t one hundred percent honest when I left, and I fear he’ll never forgive me.  

Excerpt 

Copyright 2024, Wendy Million

In a daze, I wander the narrow hall to my bedroom at the rear of my home. Although I can afford a lavish house, I have a small three-bedroom bungalow on an oceanfront lot. Nothing fancy, but it suits my needs. When I have to, I put on the glitz and glamor, but for the most part, I’m hidden away here in Hamilton, Bermuda. The frantic pace of Los Angeles is kept at bay by careful scheduling and an adherence to privacy above all else. The Hollywood pomp and circumstance were never for me; just the right place and people. Wyatt never understood that.

My security intercom buzzes, and I answer the nearest receiver. “Headed to bed, Freddie. What’s up?”

“Uh, Ellie, there’s a man here who wants to see you.”

“It’s late. I have jet lag. No one who knows me would come this late.”

I’ve made sure my house is hard to find. Entrances and exits are concealed by overgrown bushes and shrubs. The property is gated and not listed on any documents that are easy to access. Cab drivers and sightseeing tours get a hefty donation at the end of their high season if they haven’t used my name or property to advertise their businesses. Extreme privacy has been my companion since I left Wyatt and Los Angeles behind.

“It’s Mr. Wyatt Burgess, and he says he isn’t leaving until you agree to speak to him.”

Ice freezes in my veins and then fire chases it out. Turns out I don’t need to levitate off the island to commit murder tonight. “Oh, Freddie. I have a thing or two to say to Mr. Burgess. You can deliver him to the door.”

“Yes, ma’am.” A grin is evident in his voice. He must have watched The Jackson Billows Show too. With the show taped in the late morning, Wyatt had lots of opportunities to hop on a two-hour flight here. Never occurred to me he would.

I check my appearance in the kitchen mirror and then scold myself. I’ll open the door only to tell him to go to hell. Using national television to declare his undying love after ten years and a series of bad choices and then expecting me to take him back?! I don’t think so. Not happening.

At the side entrance where expected guests are delivered, I swing the door wide.

Immediately, I realize my mistake. He’s taller than I remembered, which seems ridiculous. That’s not all, though. His dark hair is a little darker, and his blue-green eyes more electric. Without the barrier of the screen, everything jumps at me at once.

My heart does one loud, crushing thump and falls to pieces.

Ten years, gone in a heartbeat.

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About Wendy Million

Wendy Million is an award-winning author whose contemporary romances about strong women and troubled men have captivated her loyal readers. She is the author of the contemporary second-chance romances, When Stars Fall and Miss Matched. Writing as W. Million, she is the author of the Bellerive Royals series, the Tucker Billionaires series, and the Little Falls series. When not writing, Wendy enjoys spending time in or around the water. She lives in Ontario, Canada with two beautiful daughters, two cute pooches, and one handsome husband (who is grateful she doesn’t need two of those).

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Spotlight: July and Everything After by Allie Nava

Publisher: DartFrog Books (September 16, 2024)

Maya’s journey from America to her birth country was meant to be a nostalgic visit. Instead, it became a fight for survival.

On the eve of Maya's 22nd birthday, civil war breaks out in Sri Lanka. During what will become known as “Black July,” Maya is targeted and attacked in the organized massacres and pogroms against minorities, and she barely escapes the genocidal chaos.

Haunted by the horrors she witnessed, Maya returns to the US and tries to rally a diverse group of allies to help expose the atrocities in her birth country, among them her Norwegian-American best friend, a magnanimous Catholic nun, and a gifted young man from her past.

Bent on justice, Maya isn’t prepared for the unexpected twists and turns and confrontations with a nemesis that will test her resolve. As the war and humanitarian crisis in Sri Lanka intensify, so does Maya’s disillusionment, but contact with a mysterious mentor whose wisdom she once ignored holds the key to her future.

Fans of Paolo Coelho, Amy Tan, Vaddey Ratner, and Khaled Hosseini will be captivated by July and Everything After, a modern tale of resilience and transformation against extraordinary odds and war.

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About the Author

Allie Nava is an American writer who survived the violent anti-minority massacres of 1970s Sri Lanka. A former executive and writing advisor, she’s been a board member or advocate for several mission-oriented organizations including Bellevue Literary Review and Golden Seeds. She has been an invited speaker at several ideas festivals, universities, and conferences, an expert panelist for WNYC (The Brian Lehrer Show), and has been recognized for her work  by several organizations including Amazon, Harvard, and Asia Society.  She is a member of The Authors Guild.

You can follow the author at:

Newsletter: https://alliestories8.substack.com

Facebook: https://www.facebook.com/alliestories8

Instagram: https://www.instagram.com/alliestories8

Website: https://www.AllieNava.com

Spotlight: The Landmark Achilles by James George Brianas

In Search of His Palace, His Family, Homer, the War, and the Bronze Age Mediterranean

Nonfiction

Date Published: October 30, 2024

Publisher: Mindstir Media

The Bronze Age Mediterranean, 3200 1200 BC, was a period of high movement, intrigue, and warfare. In this book, the author, through extensive research with "Boots on the Ground," provides a new, cohesive, and comprehensive view of that age, the evolution of the Greeks into the Mediterranean, the kings and commander with their fortresses and palaces, and capped in the final years with Homer's war, "The Greatest War Story Ever Told." He describes not only how the Greek hero Achilles and events of that war leave a lasting legacy but also weaves in five generations of the family of Achilles, the truth about Homer and his war, and solves the mystery of the palace site of Achilles and his father Peleus. Excavations of Troy from 1871 to the present are revealed as are the discovered clay tablets of the Hittites identifying numerous wars at Troy and along the Aegean Sea in western Anatolia. The ultimate collapse of the Bronze Age and its kingdoms brings this author's epic saga to its final conclusion, the devastation of that end period harboring ominous signs for our own world today.

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About the Author

Connect:

Website: https://achillesfoundation.org/

Spotlight: The Last One by Rachel Howzell Hall

The world is dying around her. Enemies lurk in the shadows. And she can’t remember a thing about who she is…

Thrown into a desolate land of sickness and unnatural beasts, Kai wakes in the woods with no idea how she got there. All she knows is that if she cannot reach the Sea of Devour, even this hellscape will get worse. But when she sees the village blacksmith fight invaders with unspeakable skill, she decides to accept his offer of help.

Too bad he’s as skilled at annoying her as he is at fighting.

As she searches for answers, Kai only finds more questions, especially regarding the blacksmith who can ignite her body like a flame, then douse it with ice in the next breath.

And no one is what―or who―they appear to be in the kingdom of Vinevridth, including the man whose secrets might be as deadly as the land itself.

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About the Author

Rachel Howzell Hall is the critically acclaimed author and Los Angeles Times Book Prize finalist for And Now She’s Gone and We Lie Here. A New York Times bestselling author of The Good Sister with James Patterson, Rachel is an Anthony, International Thriller Writers and Left Award nominee and the author of They All Fall Down, Land of Shadows, Skies of Ash, Trail of Echoes and City of Saviors in the Detective Elouise Norton series. She is a past member of the board of directors for Mystery Writers of America and has been a featured writer on NPR’s acclaimed Crime in the City series and the National Endowment for the Arts weekly podcast; she has also served as a mentor in Pitch Wars and the Association of Writers Programs. Rachel lives in Los Angeles with her husband and daughter. To learn more please visit www.rachelhowzell.com 

Connect with Rachel 

Instagram: @rhowzellhall 

X/Twitter: @rachelhowzell 

Spotlight: Mirror Me by Lisa Williamson Rosenberg

From the author of the acclaimed novel Embers on the Wind comes a mind-bending novel of love, family, betrayal, and secrets…

Eddie Asher arrives at Hudson Valley Psychiatric Hospital panicked that he may have murdered his brother’s fiancée, Lucy, with whom he shared a profound kinship. He can’t imagine doing such a terrible thing, but Eddie hasn’t been himself lately.

Eddie’s anxiety is nothing new to Pär, the one Eddie calls his Other, who protects Eddie from truths he’s too sensitive to face. Or so Pär says. Troubled by Pär’s increasing sway over his life, Eddie seeks out Dr. Richard Montgomery, a specialist in dissociative identities. The psychiatrist is Eddie’s best chance for piecing together the puzzle of what really happened to Lucy and to understanding his inexplicable memories of another man’s life.

But Montgomery’s methods trigger a kaleidoscope of memories that Pär can’t contain, bringing Eddie closer to an unimaginable truth about his identity.

Excerpt

December 3, 2024; Little A

1.

Pär

1993

Eddie’s wild heart and shaking legs propel him down the subway platform, up the stairs, and into the bitter cold. One with the wind, he races toward the park, long the site of his and Lucy’s rendezvous. Is he hoping to find her there? As if the past few hours, weeks, months were a dream?

Eddie tries to conjure September, when they walked here together, hands entwined, immersed in one another, only mildly distracted by their betrayal of Robert—Eddie’s brother, Lucy’s fiancé. There was guilt, yes, but no sense of danger, no universe in which Eddie could have conceived of harming Lucy. When the memory fades, Eddie flees the park, plunges himself into the bowels of the subway once again, lands on a C train as the doors are closing. He cannot sit. He paces the car until a woman with children hustles them off the train at West Fourth Street and ushers them into a neighboring car that doesn’t have Eddie in it.

Along the journey home, something clicks for Eddie. Though I have only recently revealed myself to him, Eddie identifies me as the culprit, which kicks off a harangue: How could you do it? Why? Why? Why? and the like, all vocalized aloud. As I lack both  substance and voice, this performance only enhances Eddie’s perceived derangement, frightening more fellow travelers. Like a chemist stepping back to view an unfolding reaction, I observe what I’ve sown: madness. See what power I have? Not just over Eddie’s body but his mind too! How shall I use it?

Eddie’s hysteria coupled with my own navigation carries us back to his apartment, where he calls Joanne, his mother. After ranting gibberish into her answering machine, Eddie paces some more, shaking loose the recollection that Joanne is away visiting friends in Tel Aviv. It is 9:15 p.m. in Brooklyn, which—if Eddie were inclined to calculate—brings Israel to 4:15 a.m.

He discards his next impulse, which is, absurdly, to call Robert. Robert! To whom Eddie believes he owes what little sanity he has but whom he’s wronged beyond forgiveness. Eddie wails aloud, then hops up to storm about the place again, pulling at his hair.

You pushed her!” He does not know my name. To Eddie, I am still You or The Other. “You killed her! How could you? Why? Why?

Rabid, he hurls our body about, crashing into furniture, flinging papers, mail, magazines, books, anything that isn’t nailed down. He throws open cabinets, searching for alcohol, of which there is none. (Only a single beer in the fridge, where it does not occur to him to look.) I’m riding this out at first, letting it go on, observing his utter lack of competency, considering how I might take advantage. But then Eddie ransacks the medicine cabinet for pills, pouring any and every kind he can into his hand. I shake these away before they get to our mouth. What’s next? Razor blades, which I knock to the floor.

I didn’t think Eddie was capable of suicide, but now I reassess, ready to fight for our life. To think that I’m the one who wants to save it. But I do. His eyes land on the only sharp kitchen knife he owns. He raises the blade, aiming it toward our throat. No! We struggle. He falters; my will is stronger. I make him hurl it far across the room.

“Enough of that!” I tell him. “No more!”

Whether he hears me or not, Eddie gives up—at least for now—on offing himself, myself. Ourself. We stand amid the chaos he’s made of the apartment. A book is splayed, face down at our feet, the title catching Eddie’s eye. He kneels and picks it up. Ha! The Splintered Self. I swear I didn’t orchestrate this; how could I have? Call it happenstance, a higher power, fate, or what you will; occurrences like this make me believe. I seize the moment, will Eddie to open the book and investigate, let him think, So this is what’s wrong with me! attributing me to yet another mental disorder. Good. Let him call me an “alter ego,” a different “personality,” a “dissociative identity.” Give him the hope that he might be fixed, that there might be a life without me. Drop his guard. How easy it will be for me then!

But my fantasy of a coup comes under threat before I can formulate a plan. As Eddie lists against the wall, reading—first the blurb, eyes welling, then the introduction through flowing tears—his atoms readjust, like a Rubik’s Cube or a rotary safe, turning, churning, until: click! A physical staunchness I’ve never known in Eddie cuts off my power, rendering him—at least for the moment—complete and singular. In charge. The room dims, fades to darkness.

*

When the fog lifts from my eyes, I am running; Eddie is running. I am breathless, with no idea where we are, as the body hurtles up a dirt road that turns paved only once an unfamiliar building looms into view. It’s huge, like a medieval castle left to the elements.

At least, I reassure myself, I am still here, still capable, if deeply shaken. Whatever happened to Eddie under the influence of that book was a warning to me, a preview of my own obliteration. Never have I conceived of such a thing. All along, at least since our adulthood, I’ve been able to determine when to take over, whether I am present with Eddie or not. I have never faced the threat of oblivion. That damn psychiatry book! I should have disposed of it when I had the chance.

Now Eddie pulls himself up a stone path through weedy, overgrown terrain, mounts the front steps of the building, and rings a bell at the side of a heavy wood and wrought iron door. When there’s no answer, he knocks, then heaves himself against it, crying out in desperation for someone to let him in.

At last, the door on our right swings open, presenting the form of a large Black man, a few shades darker than Eddie, our age, maybe younger, dressed in white scrubs. He holds out his arms, palms up.

“Easy. Easy, man. I got you.”

It’s Eddie who lets us fall into him, trusting easily, either because the man is also Black, because he’s young, or calm and even-throated, or because Eddie is forever in search of a savior. I, on the other hand, resist, fight against being “gotten,” screaming till Eddie’s voice grows hoarse, dry, and finally extinguishes itself.

“Hey!” The man is stronger, skilled at restraining people, gets us into a hold we cannot defy. Darkness drinks us in once more.

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About the Author

Lisa Williamson Rosenberg is the author of Mirror Me (December 3, 2024; Little A) and Embers on the Wind. She is a former ballet dancer and psychotherapist specializing in depression, developmental trauma, and multiracial identity. Her essays have appeared in Literary Hub, Longreads, Narratively, Mamalode, and The Common. Her fiction has been published in the Piltdown Review and in Literary Mama, where Lisa received a Pushcart nomination. A born-and-raised New Yorker and mother of two college students, Lisa now lives in Montclair, New Jersey, with her husband and dog. You can visit her at lisawrosenberg.com.