Spotlight: End of Innocence by Allegra Jordan

About the Book

In this enthralling story of love, loss, and divided loyalties, two students fall in love on the eve of WWI and must face a world at war—from opposing sides.

Cambridge, MA, 1914: Helen Windship Brooks, the precocious daughter of the prestigious Boston family, is struggling to find herself at the renowned Harvard-Radcliffe university when carefree British playboy, Riley Spencer, and his brooding German poet-cousin, Wils Brandl, burst into her sheltered world. As Wils quietly helps the beautiful, spirited Helen navigate Harvard, they fall for each other against a backdrop of tyrannical professors, intellectual debates, and secluded boat rides on the Charles River.

But with foreign tensions mounting and the country teetering on the brink of World War I, German-born Wils finds his future at Harvard—and in America—increasingly in danger. When both cousins are called to fight on opposing sides of the same war, Helen must decide if she is ready to fight her own battle for what she loves most.

Based on the true story behind a mysterious and controversial World War I memorial at this world-famous university, The End of Innocence sweeps readers from the elaborate elegance of Boston's high society to Harvard's hallowed halls to Belgium's war-ravaged battlefields, offering a powerful and poignant vision of love and hope in the midst of a violent, broken world.

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Praise for End of Innocence

"This engaging debut from Jordan tells the love story of two college students who pursue their romance as World War I begins."

"Jordan does a terrific job of contrasting the superficial formalities of the initial chapters depicting New England social life with the grueling realities of life in the trenches. Also on display is her knack for taking what at first seem like throwaway or background details and making them central to the story's last third..."

"A thoughtful look at a turning point in world history.”

Helen is a sympathetic and complicated main character. Her strengths and weaknesses keep the reader's attention, making this a worthwhile read." - Kirkus

"A thoughtful work that offers an interesting perspective on the period." - Booklist

"Reminiscent of Jacqueline Winspear's Maise Dobbs books without the mystery, this novel explores the complications involved when war becomes personal. Jordan builds empathetic characters and an intriguing story. Library Journal " - Library Journal

"Allegra Jordan's The End of Innocence is a moving ode to a lost generation. With lyrical prose and rich historical detail, Jordan weaves a tale in which love overcomes fear, hope overcomes despair, and the indelible human spirit rises up to embrace renewal and reconciliation in the face of loss and destruction." - Allison Pataki, New York Times bestselling author of The Traitor's Wife

"Love in a time of war....surely there is no more compelling or romantic theme in all of literature Yet this fine debut novel appeals to the brain as well as the heart. Allegra Jordan brings us historical fiction at its best." - Lee Smith, New York Times bestselling author of Guests on Earth and The Last Girls

"A delicious, well-crafted historical novel." - Daniel Klein, NYT best-selling co-author of PLATO and A PLATYPUS WALKS INTO A BAR

"Downton Abbey has found a brilliant successor in this spellbinding tale of love, death, and war. The finest war fiction to be published in many years." - Jonathan W. Jordan, bestselling author of Brothers, Rivals, Victors

"An exquisitely beautiful novel." - William Ferris, UNC-Chapel Hill professor and former chair of the National Endowment for the Humanities

Excerpt

Harvard Yard

Wednesday, August 26, 1914

It was said that heroic architects didn't fare well in Harvard Yard. If you wanted haut monde, move past the Johnston Gate, preferably to New York. The Yard was Boston's: energetic, spare, solid.

The Yard had evolved as a collection of buildings, each with its own oddities, interspersed among large elm trees and tracts of grass. The rich red brickwork of Sever Hall stood apart from the austere gray of University Hall. Appleton Chapel's Romanesque curves differed from the gabled turrets of Weld and the sharp peaks of Matthews. Holworthy, Hollis, and Stoughton were as plain as the Pilgrims. Holden Chapel, decorated with white cherubs above its door and tucked in a corner of the Yard, looked like a young girl's playhouse. The red walls of Harvard and Massachusetts halls, many agreed, could be called honest but not much more. The massive new library had been named for a young man who went down on the Titanic two years before. There were those who would've had the architect trade tickets with the young lad. At least the squat form, dour roofline, and grate of Corinthian columns did indeed look like a library.

The Yard had become not a single building demanding the attention of all around it but the sum of its parts: its many irregular halls filled with many irregular people. Taken together over the course of nearly three hundred years, this endeavor of the Puritans was judged a resounding success by most. In fact, none were inclined to think higher of it than those forced to leave Harvard, such as the bespectacled Wilhelm von Lützow Brandl, a senior and the only son of a Prussian countess, at that hour suddenly called to return to Germany.

A soft rain fell in the Yard that day, but Wils seemed not to notice. His hands were stuffed in his trouser pockets; his gait slowed as the drops dampened his crested jacket, spotted his glasses, and wilted his starched collar. The dying elms, bored to their cores by a plague of leopard moths, provided meager cover.

He looked out to the Yard. Men in shirtsleeves and bowler hats carried old furniture and stacks of secondhand books into their dormitories. This was where the poor students lived. But the place had a motion, an energy. These Americans found no man above them except that he prove it on merit, and no man beneath them except by his own faults. They believed that the son of a fishmonger could match the son of a count and proved it with such regularity that an aristocrat like Wils feared for the future of the wealthy class.

He sighed, looking over the many faces he would never know. Mein Gott. He ran his hands through his short blond hair. I'll miss this.

His mother had just wired demanding his return home. He pulled out the order from his pocket and reread it. She insisted that for his own safety he return home as soon as possible. She argued that Boston had been a hotbed of intolerance for more than three hundred years, and now news had reached Berlin that the American patriots conspired to send the German conductor of the Boston Symphony to a detention camp in the state of Georgia. That city was no place for her son.

She was understandably distressed, although he was certain the reports in Germany made the situation sound worse than it was. The papers there would miss that Harvard was welcoming, for instance. If the front door at Harvard was closed to a student due to his race, class, or nationality, inevitably a side door opened and a friend or professor would haul him back inside by his collar. Once a member of the club, always a member.

But Boston was a different matter. Proud, parochial, and hostile, Boston was a suspicious place filled with suspicious people. It was planned even in pre-Revolutionary times to convey-down to the last missing signpost-"If you don't know where you are in Boston, what business do you have being here?" And they meant it. Wils kept his distance from Boston.

Wils crumpled the note in his hand and stuffed it into his pocket, then walked slowly to his seminar room in Harvard Hall, opened the door, and took an empty seat at the table just as the campus bell tolled.

The room was populated with twenty young men, their books, and a smattering of their sports equipment piled on the floor behind their chairs. After three years together in various clubs, classes, or sports, they were familiar faces. Wils recognized the arrogant mien of Thomas Althorp and the easy confidence of John Eliot, the captain of the football team. Three others were in the Spee Club, a social dining group Wils belonged to. One was a Swede, the other two from England.

The tiny, bespectacled Professor Charles Townsend Copeland walked to the head of the table. He wore a tweed suit and a checked tie and carried a bowler hat in his hand along with his notes. He cast a weary look over them as he placed his notes on the oak lectern.

The lectern was new with an updated crest, something that seemed to give Copeland pause. Wils smiled as he watched his professor ponder it. The crest was carved into the wood and painted in bright gold, different from those now-dulled ones painted on the backs of the black chairs in which they sat. The old crest spoke of reason and revelation: two books turned up, one turned down. The latest version had all three books upturned. Apparently you could-and were expected to-know everything by the time you left Harvard.

It would take some time before the crest found its way into all the classrooms and halls. Yankees were not ones to throw anything out, Wils had learned. He had been told more than once that two presidents and three generals had used this room and the chairs in which they sat. Even without this lore, it still wasn't easy to forget such lineage, as the former occupants had a way of becoming portraits on the walls above, staring down with questioning glares. They were worthy-were you?

Professor Copeland called the class to order with a rap at the podium. "You are in Advanced Composition. If you intend to compose at a beginning or intermediate level, I recommend you leave."

He then ran through the drier details of the class. Wils took few notes, having heard this speech several times before.

"In conclusion," Copeland said, looking up from his notes, "what wasn't explained in the syllabus is a specific point of order with which Harvard has not dealt in some time. This seminar started with thirty-two students. As you see, enrollment is now down to twenty, and the registrar has moved us to a smaller room.

"This reduction is not due to the excellent quality of instruction, which I can assure you is more than you deserve. No. This new war calls our young men to it like moths to the flame. And as we know moths are not meant to live in such impassioned conditions, and we can only hope that the war's fire is extinguished soon.

"If you do remain in this class, and on this continent, I expect you to write with honesty and clarity. Organize your thoughts, avoid the bombastic, and shun things you cannot possibly know.

"Mr. Eliot, I can ward off sleep for only so long when you describe the ocean's tide. Mr. Brandl, you will move me beyond the comfort of tearful frustration if you write yet another essay about something obscure in Plato. Mr. Althorp, your poems last semester sounded like the scrapings of a novice violinist. And Mr. Goodwin, no more discourses on Milton's metaphors. It provokes waves of acid in my stomach that my doctor says I can no longer tolerate."

Wils had now heard the same tirade for three years and the barbs no longer stung. As Copeland rambled, Wils's mind wandered back to the telegram in his pocket. Though a dutiful son, he wanted to argue against his mother's demands, against duty, against, heaven forbid, the philosophy of Kant. His return to Germany would be useless. The situation was not as intolerable as his mother believed. These were his classmates. He had good work to accomplish. The anti-German activity would abate if the war were short-and everyone said it would be.

"Brandl!" Copeland was standing over him.

"Sir?"

"Don't be a toad. Pay attention."

"Yes, sir."

"Come to Hollis 15 after class, Mr. Brandl."

Thomas snickered. "German rat."

Wils cast a cold stare back.

When the Yard's bell tolled the hour, Professor Copeland closed his book and looked up at the class. "Before you go-I know some of you may leave this very day to fight in Europe or to work with the Red Cross. Give me one last word."

His face, stern for the past hour of lecturing, softened. He cleared his throat. "As we have heard before and will hear again, there is loss in this world, and we shall feel it, if not today, then tomorrow, or the week after that. That is the way of things. But there is also something equal to loss that you must not forget. There is an irrepressible renewal of life that we can no more stop than blot out the sun. This is a good and encouraging thought.

"Write me if you go to war and tell me what you see. That's all for today." And with that the class was dismissed.

About the Author

Allegra Jordan is a writer and global innovation consultant. A graduate with honors of Harvard Business School, she led marketing at USAToday.com for four years and has taught innovation in sixteen countries and five continents.

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